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Description
cybex priam complete Cybex Priam 4 + Carry Cot + Cloud T Newborn Travel System BundleThe CYBEX PRIAM 4 stroller combines timeless design elements with new features that make life even easier and meet your highest expectations. The unique one pull harness helps you secure your child in the stroller in seconds, with just one hand. One frame enables three different modes of use: from birth with the PRIAM 4 e PRIAM 2 Lux Carry Cot or any CYBEX infant car seat (both sold separately), and later with the seat unit as a luxurious parent
The CYBEX PRIAM 4 stroller combines timeless design elements with new features that make life even easier and meet your highest expectations. The unique one-pull harness helps you secure your child in the stroller in seconds, with just one hand. One frame enables three different modes of use: from birth with the PRIAM 4/e-PRIAM 2 Lux Carry Cot or any CYBEX infant car seat (both sold separately), and later with the seat unit as a luxurious parent-facing or forward-facing stroller.
Features:
- UNIQUE ONE-PULL HARNESS: Helps you secure your child in the stroller in seconds, with just one hand
- TRAVEL SYSTEM READY: Frame is compatible with the PRIAM 4/e-PRIAM 2 Lux Carry Cot or any CYBEX infant seat (sold separately)
- ONE-HAND FOLD: Into a self-standing position for easy storage on the go
- MULTIPLE RECLINE POSITIONS: Easily adjust with one hand
- REVERSIBLE SEAT UNIT: Can be easily positioned forward or parent facing
- ALL-WHEEL SUSPENSION: Ensures a soft, quiet and comfortable ride
- LARGE STORAGE BASKET: Holds up to 11 lbs.
- EXTENDABLE UPF 50+ SUN CANOPY: Protects your child from the sun and includes peek-a-boo window
- ADJUSTABLE LEATHERETTE HANDLEBAR: Extends for users of varying heights
- ADJUSTABLE LEG REST: For customized comfort for your child
- LEATHERETTE BUMPER BAR: Opens to the side for easy access to the seat
- SWIVEL FRONT WHEELS: Can be locked for stability on uneven terrain
- CONVENIENT TWO-WHEEL MODE: For strolling over loose terrain like sand or gravel
- TABLE HEIGHT SEATING: Makes dining out convenient
- INCLUDES: Rain cover, cup holder, bumper bar and PRIAM/e-PRIAM infant car seat/carry cot adapters
- COMPATIBLE WITH: PRIAM 4/e-PRIAM 2 Seat Packs and Lux Carry Cots
Specifications:
- Dimensions: 36.2" L x 23.6" W x 44.5" H
- Folded Dimensions: 37" L x 23.6" W x 14.5" H
- Stroller Weight: 28.8 lb
- Suitability: 6months up to 55 lb *from birth with Lux carry cot or infant car seat
Cybex Cloud T SensorSafe Infant Car Seat
Safety. Comfort. Luxury. The CYBEX Platinum Cloud T Comfort Extend Infant Car Seat is meticulously crafted to meet our elevated standards of safety, comfort, and luxury. Rigorously tested to adhere to German ADAC testing protocols, your child's safety is our paramount concern. The Cloud T is outfitted with cutting-edge safety features, including the SensorSafe Smart Technology chest clip, Load Leg, Linear Side-Impact Protection, and Anti-Rebound Base. Wrapped in elevated fabrics and featuring premium design elements, the Cloud T epitomizes luxury and comfort for your child. Its near-flat recline and extended leg rest when used outside the vehicle ensure optimal ergonomics. Enhanced ventilation and breathable fabrics further elevate your infant's ride, ensuring maximum comfort.
Features
- ADVANCED SAFETY PROTECTION
- SENSORSAFE™ SMART TECHNOLOGY: Bluetooth enabled chest clip sends mobile app alerts if a child unbuckles the chest clip, if the back seat becomes too warm or too cold, and if the driver unintentionally leaves the child behind.
- SAFETY TESTING: complies with new FMVSS 213 side impact and frontal impact safety standards.
- LOAD LEG BASE: Absorbs energy and reduces crash forces on the child by up to 30%**
- ANTI-REBOUND BASE: Reduces forces on the child by up to 30% in a rear or front impact crash**
- LINEAR SIDE-IMPACT PROTECTION: Absorbs the forces of a side-impact collision and reduces collision forces by up to 30% in a side impact crash*
- EUROPEAN BELT PATH: Adds stability and helps limit rotation in a frontal crash when the car seat is installed without a base
- ENERGY-ABSORBING SHELL: Provides improved side-impact protection and helps reduce the forces on the child in a crash
- ONE-CLICK RIGID LATCH INSTALL: Quick, simple, and safe installation.
- FIRE RETARDANT CHEMICAL FREE FABRIC: Passes federal safety standards without the use of added fire retardant chemicals
- COMFORT FEATURES
- COMFORT MODE: 45% more recline* for a comfortable and ergonomic position when used outside the vehicle
- IN-SHELL AIR VENTILATION: Provides natural airflow to keep your child comfortable
- 12-POSITION ADJUSTABLE HEADREST: Harness adjusts with the headrest for a proper fit as your child grows
- XXL UPF50+ SUN CANOPY: Includes mesh for air ventilation***
- REMOVABLE INFANT INSERT: Ensures proper fit and support for babies from 4-11 lbs.
- EASY-IN BUCKLE PAD: Keeps the harness buckle in a forward position for easy loading and harnessing
- STROLLER COMPATIBILITY: Connects with all CYBEX strollers to create a convenient travel system using car seat adapters
- EASY TO CLEAN: Machine washable seat fabrics
- FAA COMPLIANT: For aircraft use without the base
- *As compared to the same car seat without this feature
- **As compared to the same car seat without this feature when installed with Rigid LATCH
- ***Mesh is not UPF50+
Specifications
- Usage: 4-30 lbs
Cybex Priam 4 / ePriam 2 Lux Carry Cot
The CYBEX PRIAM 4/e-PRIAM 2 Lux Carry Cot provides a comfortable and stylish place for your baby. The carry cot gives you additional flexibility and convenience when used with the PRIAM 4 or e-PRIAM 2 stroller. Simply attach your adapter to the frame, click on the carry cot, and you’re ready to go.
Features:
- Panoramic and Skylight View Windows: Provide optimal ventilation
- 100% Cotton Interior: For breathability and maximum comfort
- Canopy With UPF 50+ and Extendable Visor: Protects baby from the sun’s rays
- Memory Buttons: Allow for easy click on/off the stroller
- Exterior Zip Pocket: Provides easy access and storage for your essentials
- Integrated Carry Handle: For easy transport to and from the stroller
- Includes: Rain cover to protect your child from wind, rain or snow
- Compatible With: PRIAM 4 and e-PRIAM 2 Strollers
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016