SKU: 68618305524
burgess seed and plant magazine

burgess seed and plant magazine The Plant Magazine – ooga booga

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Description

burgess seed and plant magazine The Plant Magazine – ooga boogaBesides providing botanical contents in a simple, personal and cozy way; The Plant offers plant lovers a new look at greenery by featuring the works of many creative people who share our love for plants. As a curious observer of ordinary plants and other greenery, the magazine presents a monograph on a specific plant; bringing together photographers, illustrators, designers, musicians, writers, and visual artists, both established and emerging, from

Besides providing botanical contents in a simple, personal and cozy way; The Plant offers plant lovers a new look at greenery by featuring the works of many creative people who share our love for plants. As a curious observer of ordinary plants and other greenery, the magazine presents a monograph on a specific plant; bringing together photographers, illustrators, designers, musicians, writers, and visual artists, both established and emerging, from all over the world. These people share with The Plant their unique perceptions and experiences of plants.

The Plant Magazine offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

As a curious observer of ordinary plants and other greenery, the magazine presents a monographic on a specific plant and brings together photographers, illustrators, designers, musicians, writers, and visual artists; both established and emerging, from all over the world, to share with The Plant their perceptions and experiences around plants.

The magazine is edited in Barcelona, together with London and Amsterdam one of the capitals of creative publishing.

*Please note: each issue has multiple covers and you may receive a cover that is not pictured here.

Issue 19: comes with four different covers: a daydream-like scene from ‘Flower Pot’ by Annie Collinge and Rottingdean Bazaar; an insight into the power of nature for future generations by Kerry J. Dean; an invitation by Flaminia Veronesi into her fantastical ‘Giardinio Immaginifico’; and Sara Blomqvist wearing BLESS, the free-spirited 1990s fashion project.  In this issue, Peter Jordanov teams up with Virginie Benarroch to celebrate the beauty of the rain. Brigitte Lacombe and Matthew McLean follow Precious Okoyomon on a walk through Brooklyn’s Prospect Park. Maureen Paley shares her love for the moon. Tom Johnson travels to Patagonia to discover the Chubut Valley. And Drew Vickers photographs blooms in their boldest, most striking form.  Other features include a poetic glimpse of Coco Chanel’s favourite flower through the lens of Marcelo Gomes, a look at Diana Kennedy’s botanical and culinary exploration of Mexico, as well as the magazine’s regular section, Loose Leaves, with stories about Cy Twombly’s time in Morocco, Elein Fleiss, Sabine Mirlesse, Formafantasma and more.

Issue 18: cover story features Fumiko Imano standing out amongst orange poppies. Flowers continue to inspire in pop artist Lily van der Stokker’s interview. Fashion designer Simone Rocha brings us on her family walk in Cap Ferrat. And dealing with the last mass extinction, Sam Rock visits the area where an asteroid hit the Earth.

We explore insects in our daily lives through the lenses of Wolfgang Tillmans, Nobuyoshi Araki, Jack Davison, Harley Weir and Zöe Ghertner, among others. Josh Olins takes us into the purple fantasy of the Belgian bluebell forest, while Deo Suveera & Pamela Dimitrov dive into the woods to deliver a collection of mementos. Symbiosis comes in the hands of Benjamin Tietge & Elle Britt, while Scheltens & Abbenes go camping and explore tents. The issue ends, as usual, with the Loose Leaves section. Read, explore and enjoy!

Issue 17Cover by Jenna Gribbon. Also with Lucie and Luke Meier at Zermatt captured by Olivier Kervern; the Bulgarian Rose Valley by Kerry J. Dean; Clara Balzary, Peter Jordanov and so much more.

Issue 16Cover by Peter Jordanov. Also with titillating flowers lying on the pavement captured by Harley Weir in Doom and Bloom; Ruth Asawa’s passion for growing; Jack Davison’s blossoming dreams and a homage to the majesty and stillness of Mount Fuji; and so much more.

Issue 15On this cover an artwork by artist Camille Henrot, ‘with whom we have worked on a series of drawings on sustainability’.   

Issue 14: Features the flowers of Disneyland by Alasdair Mclellan and opens up with Young Voices, a story by photographer Sam Rock and Omaima Salem, captured during London’s first global climate strike. In the following pages, a conversation with writer Olivia Laing photographed by Kuba Ryniewciz, a journey to Charleston House in England’s East Sussex, beautifully captured by photographer Matthieu Lavanchy before visiting the new Covent Garden Flower Market, seen through the eyes of Chris Rhodes.

It follows Isabella Killoran as she leads us through the inner world of childhood, Camille Vivier and Sandra Berrebi team up to put together A Giving Tree and last but not least, Rainer Judd writes a letter from the Far West about how fire can be both a creator and a destroyer accompanied by Max Farago’s impressive photographs shot in California.

Regular contributor and photographer Marcelo Gomes guides us through a magical trip to New Zealand. We close the issue with the usual Loose Leaves section, featuring short and compelling stories by perfumer Lyn Harris, florist Doan Ly, chef Shuko Oda and wanderings around Lisboa’s Estufa Fría, Bialowieza forest and some fabulous Japanese playgrounds, amongst others!

 Softcover, perfect binding, 9 inches x 12 inches, The Plant, Summer 2019.

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SKU: 68618305524

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4.3 ★★★★★
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Verified Purchase
David Spencer
Lowell, US
★★★★★ 5
Good stuff
Material Type: 157mil Closed Cell Foam, Style: 157 mil 36 SqFt
Good stuff, easy to use, self adhesive backing contours around curves easily and works great.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 29, 2026
S
Verified Purchase
stookie778
Whiting, US
★★★★★ 5
Works amazingly, but only if you install it correctly.
Material Type: 157mil Closed Cell Foam, Style: 157 mil 36 SqFt
If you purchasing Siless Liner 157 mil (4 mm) Sound Deadening mat, to block unwanted sounds in your car, this is what you need to buy. But wait! It's not the only thing you need to buy if you want to "actually" deaden sound. By itself, it will definitely block a noticeable amount of sound, and, most likely, that's all you realistically need. But... But... If you want the Siless Liner Sound Deadening Mat to really help you take it up a few notches, to get the best sound almost bordering on soundproofing, listen up. You will have to install traditional butyl rubber first. Doesn't have to be the Siless brand, but I'm sure they would love to sell both to you, I used both Killmat (80mil) and Noico (50mil). I have a Honda S2000. It's a two-seater convertible sports car if you don't know what this car is, and it's loud when I'm driving above 60mph. I also happen to have a sound system installed as well. Other than that, the car is stock. I first installed the butyl rubber on the car's interior sheet metal. I went all out and covered everything I could. I didn't need to but I wanted to. I was extremely impressed with the results. But I wanted to go further. Not because I needed to but because just wanted to see what it would be like. So I bought Siless Liner 157 mil (4 mm) 36sqft Sound Deadening mat to go on top of the butyl rubber mats. I put this over every area I installed the butyl rubber. I had to be careful of clearance issues since I added a significant amount of underlayment, and you should too. If you put butyl rubber sound-deadening materials in 50% of the total interior area, you'll hear a noticeable improvement. If you put butyl in about 80% of the total area, you'll be even more amazed at the improvement, compared to before. I originally did all the above myself, so that's my experience and so your mileage may vary. I then installed the Siless Liner Sound Deadening mat over every place I could even going further than I could with the butyl rubber. I used the Siles Liner in areas where butyl rubber would not have been effective, such as the roll bar hoop area and large empty cavities or holes. I covered everything I could, firewall, doors, floor pan, transmission tunnel, trunk, trunk lid, fuel tank area, rear quarter panels, and rear-wheel tunnels, in Siless Liner Sound Deadening Mat. WOW!! The Siless Liner Sound Deadening Mat was the icing on the cake! Let's not forget, this car is a convertible sports car so it will never be a quiet ride, ever. But I can now actually have a conversation with a passenger at a normal-ish volume! This also means I can now have a normal hands-free phone call without having to plug one ear to block out the noise! My sound system sounds so much better! Just by going through the install process, I looked for any vibration, rattle, squeak, and noise-prone areas to either eliminate or reduce unwanted noise production. If you forget this step, the inside and outside of your car will rattle and buzz. I skipped this step the first time around. But did it right before I installed more butyl rubber and the improvement was impressive, especially inside the car. Outside the car, I didn't notice a difference until I put the last layer of Siless Liner Sound Deadening Mat. The sound deadening mat works both ways from what I can tell. If I turned up my music, as loud as I occasionally do, parked in the attached garage to the house, with the garage door closed, I would be barely able to tell the car was playing music in the garage. It sounds like it is another car, just a little bit down the street, with a very loud base. If you stand 20 feet away outside the car, the sound system is noticeable, but not obnoxious by a long shot. Get a 3 piece wood/metal roller set as well, which makes quick work of large areas.
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Reviewed in the United States on December 23, 2021
L
Verified Purchase
Ligia
Birmingham, US
★★★★★ 5
Better than Kilmat
Material Type: 157mil Closed Cell Foam, Style: 157 mil 36 SqFt
Great adhesion, and you can immediately see the sound difference when you rap the area and compared it to another area without it. Also, very easy to cut and apply. Once on, you may not be able to peel it and reposition it, so be sure where you want it.
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Reviewed in the United States on March 2, 2026
J
Verified Purchase
J M.
West Palm Beach, US
★★★★★ 3
Not much noise reduction…
Material Type: 157mil Closed Cell Foam, Style: 157 mil 36 SqFt
Easy to install but did not provide much sound dampening…
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Reviewed in the United States on April 28, 2026
T
Verified Purchase
Travis McKinstry
Louisville, US
★★★★★ 5
High quality, super sticky, very effective
Style: 30 sqft
As long as the surface is thoroughly cleaned, these mats will stick to just about anything. They provide my car with a tremendous amount of sound dampening and have made riding in the car 10 times more enjoyable. I drive a Toyota Yaris and although the engine is built like it's meant to last forever (imagine that), the rest of the car is not of high quality. Which means we used to get A LOT of noise coming from the road, other cars, etc. After I installed these mats which, by the way, I wasn't able to install on every surface I wanted to install them on (due to lack of tools to be able to disassemble certain parts of the interior), the noise coming from outside the car is nearly completely gone. I covered the underside of my hood, the entire interior part of the hatchback, most of the floor in the trunk / spare tire well, and the entire interior side of the doors. The parts I couldn't get to (or didn't want to) were: the ceiling, underneath the driver & passenger seats, behind the dash and the floor for the 2nd row seating. As you can see I left a lot of surfaces untreated with this product AND STILL it blocks most of the sound. To note: people recommended getting the roller tools to help install these mats. I got a few of them in different sizes and they worked O K. Not because of the quality of the tool but because some places you need to install these mats in don't have enough clearance to use the tool. That being said, for the larger surfaces, the roller tools help a lot. Also I found it very beneficial to use aluminum tape while installing these. The tape I used is specifically designed for materials that undergo high temperature changes (like your dryer vents, etc.). This wasn't because the mats were not sticky enough but because there were some places I installed the mats with small gaps between them. I'd also recommend getting some kind of fluffy insulation-type material for large spaces that need noise dampening. Rock wool, for example, worked great for me. As an example, the interior sides of the 2nd row seating walls had large spaces between the plastic interior cover and the metal part of the car wall. I'd install the mats on the metal but was left with 6" - 7" of space between it and the plastic cover. I chose to fill those spots (and spots like it) with insulation which provided EVEN MORE noise dampening.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 25, 2024

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