SKU: 69117218998
dracaena bicolor cane plant

dracaena bicolor cane plant Bicolor Dragon Tree

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Description

dracaena bicolor cane plant Bicolor Dragon TreeThe Bicolor Dragon tree, known as Dracaena marginata Bicolor) is a vibrant and easygoing tropical plant known for its sword like foliage striped with shades of green and reddish pink, making it a popular choice for modern indoor and outdoor plantings. With its upright growth, striking color contrast, and low maintenance nature, it has become a favorite among homeowners, interior designers, and collectors looking to add tropical flair to spaces without

The Bicolor Dragon tree, known as Dracaena marginata ‘Bicolor’) is a vibrant and easygoing tropical plant known for its sword-like foliage striped with shades of green and reddish-pink, making it a popular choice for modern indoor and outdoor plantings. With its upright growth, striking color contrast, and low-maintenance nature, it has become a favorite among homeowners, interior designers, and collectors looking to add tropical flair to spaces without the upkeep of more delicate species. 

Commonly referred to as the Bicolor Dragon Tree or Bicolor Dracaena, this cultivar belongs to the broader Dracaena marginata species, also known as the Madagascar Dragon Tree. The "Bicolor" name comes from its dramatic two-toned leaves, which display a rich green center edged with pinkish-red or burgundy margins. Its variegation is more subtle than the ‘Tricolor’ or ‘Kiwi’ varieties, but still provides vivid color and a bold vertical accent in any setting.

Native to the island of Madagascar off the southeastern coast of Africa, Dracaena marginata grows naturally in warm, semi-arid forests.

Although the ‘Bicolor’ variant is a cultivated hybrid, it retains the species’ natural tolerance for drought, variable light conditions, and poor soils, making it especially resilient and adaptable to indoor conditions around the world.

This tropical evergreen features slender, upright canes topped with dense tufts of long, narrow leaves.

The foliage of the ‘Bicolor’ is what sets it apart—long, pointed blades with clean green centers and striking red-to-pink margins that glow under bright, indirect light.

Over time, the lower leaves naturally shed, leaving behind bare stems that resemble a miniature palm or cane tree, making it ideal for vertical appeal in tight spaces.

When grown indoors, the Bicolor Dragon Tree typically reaches 4 to 6 feet tall, but with time and care, it may grow taller.

Outdoors in tropical climates or when grown in containers and moved seasonally, it can reach up to 8 feet or more.

Its slow growth rate makes it manageable and easy to shape with light pruning. While flowering is rare indoors, mature plants may occasionally produce small clusters of fragrant white flowers in optimal conditions. 

When it comes to Dracaena marginata ‘Bicolor’ care, it thrives in a well-drained  soil, opens in a new tab and prefers watering every 10–14 days during the growing season (spring to summer), allowing the top 1–2 inches of soil to dry out between waterings. In fall and winter, water only once every 2–3 weeks.

Indoors, it grows best in temperatures between 65°F and 80°F, with at least 6 hours of bright, indirect light daily.

Outdoors, it should be grown in USDA Zones 10–12, where it prefers partial shade or filtered sunlight to prevent leaf scorch.

Fertilize once a year during spring using a balanced liquid NPK fertilizer diluted to half strength.

Occasional pruning of yellowing or lower leaves helps maintain its clean form, and taller plants can be cut back to encourage bushier growth. 

What makes the ‘Bicolor’ cultivar unique is its perfect balance of visual interest and resilience. Unlike many colorful houseplants that require precise humidity or specialized light, this Dragon Tree variant is remarkably forgiving. Its ability to tolerate missed waterings, low humidity, and low light makes it ideal for beginners, busy plant owners, or even office environments. Additionally, it's known for its air-purifying properties, helping reduce pollutants like formaldehyde and benzene in the indoor air. 

Final Thoughts

Overall, the Bicolor Dragon Tree offers a compelling combination of bold color, architectural form, and worry-free care. Whether you're styling a minimalist room, refreshing your patio container garden, or just looking for a tough plant that looks good year-round, Dracaena marginata ‘Bicolor’ delivers. Its colorful edges and upright form add a tropical touch to any space while demanding very little in return. 

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SKU: 69117218998

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4.3 ★★★★★
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Mr. Watkins
Bozeman, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Carnegie, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Waukegan, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Natrona Heights, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Bozeman, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2016

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