SKU: 7232425628
joolz leg rest

joolz leg rest Joolz Aer2 Lightweight Compact Stroller + Bassinet Bundle

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Description

joolz leg rest Joolz Aer2 Lightweight Compact Stroller + Bassinet BundleThe Joolz Aer2 Stroller + Bassinet Bundle provides an ultra compact and lightweight solution for parents, combining a portable stroller with a full featured bassinet. This bundle is the ultimate stroller for effortless outings and travel, offering a seamless transition from newborn to toddler. The stroller weighs only 14. 3 lbs and folds with one hand in one second. The innovative foldable carrycot can be attached in seconds, providing a comfortable

The Joolz Aer2 Stroller + Bassinet Bundle provides an ultra-compact and lightweight solution for parents, combining a portable stroller with a full-featured bassinet. This bundle is the ultimate stroller for effortless outings and travel, offering a seamless transition from newborn to toddler. The stroller weighs only 14.3 lbs and folds with one hand in one second. The innovative foldable carrycot can be attached in seconds, providing a comfortable and safe lie-flat space for your baby from day one.

Why Choose the Joolz Aer2 Stroller + Bassinet Bundle?

This bundle is designed for parents who need a single, versatile system that works from birth and excels at travel. It solves key problems that other compact strollers can't, offering both portability and full newborn functionality.

A True Stroller from Day One

Unlike many compact strollers that require an adapter and car seat for a newborn, the Joolz Aer2 bundle includes a dedicated carrycot. This provides a safe, lie-flat sleeping environment for your baby, which is essential for healthy development. The carrycot itself is innovative because it folds down to a small size, making the entire system travel-friendly. You don't have to compromise on comfort or safety for the sake of portability.

Unmatched Convenience for Travel

The Joolz Aer2 stroller is famously travel-friendly, and the bassinet bundle maintains that advantage. The stroller itself is airplane compatible with folded dimensions of just 17.3" x 20.8" x 9.2". While the bassinet must be removed and folded separately for air travel, its ability to fold down means you can easily store it. This makes the Joolz Aer2 bundle the best of both worlds: a lightweight, compact travel stroller that still offers a complete lie-flat bassinet.

Built with Comfort and Durability in Mind

The Joolz Aer2 bundle ensures a smooth and comfortable ride for both you and your child. The stroller’s wheels have suspension for a great driving experience, and the 42-inch high handlebar offers a comfortable push for taller parents. The stroller seat is ergonomic and grows with your child up to 50 lbs, featuring a unique long backrest and an adjustable leg rest. The super extended UPF 50+ sun hood provides excellent protection and ventilation.

Features & Specifications

  • One-Hand Fold: The stroller folds with one hand in one second.
  • Lightweight: Stroller weighs 14.3 lbs.
  • Newborn Ready: Includes a foldable carrycot and is also suitable from birth with the seat in a fully reclined position.
  • Airplane Compatible: Stroller folds to ultra-compact dimensions of 17.3" x 20.8" x 9.2".
  • Ergonomic Seat: Grows with your child up to 50 lbs.
  • Sun Protection: Super extended sun hood with UPF 50+.
  • Harness System: One-hand pull harness with a 5-point click-and-go buckle.
  • Sustainable Fabrics: Made from recycled PET bottles.
  • Handlebar Height:42 inches.
  • What’s in the Bundle:
    • Joolz Aer2 Stroller
    • Joolz Aer2 Carrycot
    • Bumper Bar
    • Mattress
    • Travel Pouch

Frequently Asked Questions (FAQ)

Q: Does the Joolz Aer2 bundle come with everything I need for a newborn? A: Yes. The bundle includes the Joolz Aer2 Stroller, a foldable carrycot, a bumper bar, and a mattress, providing everything you need to safely and comfortably transport your newborn.

Q: Can I fold the Joolz Aer2 with the bassinet attached? A: No. You must remove and fold the bassinet separately from the stroller. However, the bassinet itself folds, which makes the entire system easy to store and transport.

Q: How does the Joolz Aer2 bassinet compare to other stroller bassinets? A: The Joolz Aer2 bassinet is one of the few that is also foldable. This makes it a much more practical option for travel compared to traditional, rigid stroller bassinets that take up significant space.

Q: Is the Joolz Aer2 stroller from this bundle the same as the standalone stroller? A: Yes. The stroller included in the bundle is the same Joolz Aer2 model, featuring the one-hand fold, lightweight design, and ergonomic seat. The bundle simply adds the essential accessories for newborn use.

Shipping Notes
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Exchange/Return Notes
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SKU: 7232425628

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4.6 ★★★★★
Based on 6 reviews
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Product Reviews
T
Verified Purchase
T
Dallas, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Bozeman, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 8, 2025
D
Verified Purchase
Dr.C.J.Singh.Wallia
Dallas, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
M
Verified Purchase
Matt M
Phoenix, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
A
Verified Purchase
arch_reviews
Louisville, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 5, 2014

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