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Description
bugaboo carrycot overnight sleeping Oyster Carrycot - Overnight Sleeping & TravelOyster Carrycot Safe Overnight Sleeping & Travel Solution Birth to 6 Months Create the perfect sleeping sanctuary for your newborn with the BabyStyle Oyster Carrycot. This beautifully crafted carrycot provides a safe, cosy environment suitable for both travel and overnight sleeping, ensuring your little one feels secure whether you're out and about or at home. What's Included with the Oyster Carrycot Complete Carrycot Package: Oyster Carrycot with
Oyster Carrycot
Safe Overnight Sleeping & Travel Solution - Birth to 6 Months
Create the perfect sleeping sanctuary for your newborn with the BabyStyle Oyster Carrycot. This beautifully crafted carrycot provides a safe, cosy environment suitable for both travel and overnight sleeping, ensuring your little one feels secure whether you're out and about or at home.
What's Included with the Oyster Carrycot
Complete Carrycot Package:
- Oyster Carrycot with soft-shell structure
- Flat foam mattress for comfortable sleeping
- Rocking base with stabilising feet
- Protective apron for outdoor use
- Ventilation panel for fresh air circulation
- Ergonomic release handle for easy removal
- Raincover for weather protection
Key Features & Benefits
Overnight Sleeping Approved
- Suitable for overnight sleeping when used correctly
- Flat foam mattress allows little ones to stretch and grow in comfort
- Recommended use: Remove apron and put canopy back for optimal airflow
- Safe sleeping environment with proper ventilation
Ergonomic Design Excellence
- Soft-shell lightweight structure for easy carrying
- Ergonomic release handle positioned at the back of the hood
- Side removal system - no need to lean over the pushchair
- One-handed operation - simply pull up the latch to release
Soothing Rocking Functionality
- Rocking base with stabilising feet for gentle motion when placed on the ground
- Perfect for settling restless babies
- Stable design with safety feet to prevent over-rocking
- Quiet operation won't disturb sleeping babies
Travel & Home Versatility
- Seamless attachment to Oyster pushchair chassis
- Compatible with Carrycot Stand (sold separately) for home use
- Moses basket replacement when used with the Carrycot Stand
- Effortless transition from outdoor adventures to home sleeping
Weather Protection System
- Protective apron shields baby from elements during travel
- Ventilation panel provides fresh air circulation
- Raincover included for complete weather protection
- UPF canopy protection when attached to pushchair
Premium Comfort Features
- Luxury foam mattress ensures comfortable sleeping surface
- Soft interior fabrics gentle against delicate skin
- Spacious interior allows natural movement and growth
- Coordinated design matches Oyster pushchair colourways
Compatibility
Pushchair Compatibility:
- ✅ Oyster4 - Full compatibility with auto-fold function
- ✅ Oyster3 - Complete compatibility
- ✅ Oyster Gravity+ - Seamless integration
- ✅ Tandem mode - Can be used in tandem configurations
Home Use Compatibility:
- ✅ Oyster Carrycot Stand - Creates elevated home sleeping space
- ✅ Moses basket alternative when used with stand
- ✅ Floor use with rocking base for soothing
Safety & Guidelines
Overnight Sleeping Safety:
- Remove protective apron for optimal airflow
- Put canopy back to ensure proper ventilation
- Flat sleeping surface promotes safe sleep position
- Follow safe sleep guidelines as recommended by health professionals
Usage Guidelines:
- Suitable from birth to 9kg (approximately 6 months)
- Maximum weight capacity: 9kg per carrycot
- Regular safety checks of all attachment points
- Always ensure secure attachment to chassis before use
Perfect For
- Newborn parents seeking overnight sleeping flexibility
- Active families wanting seamless indoor/outdoor transitions
- Travel enthusiasts needing portable sleeping solutions
- Home users wanting Moses basket alternative with Carrycot Stand
- Multi-child families using tandem configurations
Technical Specifications
- Age range: Birth to approximately 6 months
- Weight capacity: 9kg maximum
- Structure: Lightweight soft-shell design
- Mattress: Flat foam for optimal comfort
- Base: Rocking functionality with stabilising feet
- Attachment: Ergonomic release handle system
- Ventilation: Built-in panel for airflow control
Why Choose the Oyster Carrycot?
Overnight Sleeping Approved: Safe for home sleeping when used correctly
Dual Functionality: Perfect for both travel and home use
Rocking Comfort: Built-in soothing motion for settling babies
Ergonomic Design: Easy attachment and removal system
Weather Ready: Complete protection with included accessories
Future Flexibility: Compatible with Carrycot Stand for extended home use
Care & Maintenance
- Machine washable fabrics for easy cleaning
- Wipe-clean mattress for hygiene maintenance
- Weather-resistant materials for durability
- Simple assembly with clear instructions
Home Sleeping Solution
Transform your Oyster Carrycot into the perfect home sleeping environment with the Oyster Carrycot Stand (sold separately). This innovative stand:
- Replaces traditional Moses baskets
- Provides secure elevated sleeping space
- Includes handy storage basket underneath
- Folds away when not in use
- Creates seamless transition from pushchair to home
The Carrycot Stand effectively bridges the gap between outdoor adventures and peaceful home sleeping, making it an ideal investment for modern families.
Available Colourways
Choose from a range of premium colourways to match your Oyster pushchair:
- Black Olive - Contemporary and versatile
- Stone - Classic and timeless
- Mulberry - Rich and sophisticated
- Buttermilk - Soft and elegant
Experience the perfect combination of travel convenience and home comfort with the BabyStyle Oyster Carrycot - where every sleep is a peaceful one.
Compatible with Oyster 3, Oyster 4, and Oyster Gravity+ pushchairs. Carrycot Stand sold separately.
Read more about the Oyster 4 Travel System at babystyle.co.uk/oyster4
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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