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Description
summer infant 3d tote vs 3d lite Ingenuity 3Dlite Jewel Convenience Stroller Lightweight Folding Stroller with Car Seat Compatibility & Extra-Large Canopy – Kids2, LLCDescription The Ingenuity 3Dlite Jewel Convenience Stroller combines elevated style with everyday function, giving parents confidence on every outing. At just 14 lbs, this lightweight stroller is one of the only umbrella style stroller designed to be compatible with select infant car seats*making it a go to choice for families who need flexibility from day one. A bumper bar adds security (and folds with the stroller, so you never need to remove it),
DescriptionThe Ingenuity 3Dlite Jewel Convenience Stroller combines elevated style with everyday function, giving parents confidence on every outing. At just 14 lbs, this lightweight stroller is one of the only umbrella-style stroller designed to be compatible with select infant car seats*—making it a go-to choice for families who need flexibility from day one. A bumper bar adds security (and folds with the stroller, so you never need to remove it), while the multi-position recline seat helps keep baby comfortable as they grow. Parents will appreciate thoughtful details like an oversized canopy with flip-out visor, peek-a-boo window, parent cup holder, and storage pocket. An extra-large underseat basket provides room for all your essentials, while premium fabrics and stitching elevate the look. With a durable steel frame, 5-point harness, and compact fold with auto-lock, the 3Dlite Jewel proves you don’t have to sacrifice style for function. From coffee runs to travel adventures, this stroller is built to fit your real life. *Compatible with a variety of carseats, including the Graco SnugRide® SnugFitTM, Graco SnugRide® SnugLock®, Graco SnugRide® Lite, Evenflo Litemax, Chicco Keyfit, Safety 1ˢᵗ® on Board™. Carseat not included. Assembled dimensions: 40.16" (H) x 18.9" (W) x 25.59" (L).
- The Ingenuity 3Dlite Jewel Convenience Stroller is the only lightweight stroller designed to work with select infant car seats, adding flexibility from day one.
- Lightweight Yet Durable – Strong steel frame weighs just 14 lbs, making it easy to lift, fold, and carry without sacrificing sturdiness.
- All-Day Comfort for Little Ones – Multi-position recline, bumper bar security, padded 5-point harness, and oversized canopy with visor keep kids cozy.
- Thoughtful Parent Features – Includes cup holder, storage pocket, and extra-large underseat basket for easy access to everyday essentials.
- Compact Fold, Stylish Look – Folds quickly with auto-lock, while premium fabrics and stitching elevate your look on the go. Assembled dimensions: 40.16" (H) x 18.9" (W) x 25.59" (L).
Price & Details
MSRP: 89.99
SKU: 17564-040
Dimensions (in): 42.91" (H) x 20.87" (W) x 36.22" (L)
User Age Range (months): 6 - 48 months
Assembly Required: Yes
Batteries: Not Required
Materials: 45% Fabric, 40% Metal, 15% Plastic
Instructions & Care
View Owners Manual
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4.1 ★★★★★
Based on 19 reviews
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Product Reviews
★★★★★ 5
Just for Fun
You can't help, in reading these stories, remarking on how comics (and popular culture in general) reflect what we want on our minds and how we want to feel about ourselves.
Superman today is intense. He fights apocalyptic battles, and he sometimes loses! There's a lot at stake -- everything, EVERYTHING, lies in the balance. Superman himself seems literaly beyond human. In order to live the life of challenges he faces, he must be beyond the concerns of everyday life -- he can't really share in the life that the rest of us live.
Superman in the fifties lived in a much more comfortable, stable world, and his own life was much more continuous with ours. In these stories, he discovers that he is not alone -- his long last pal, Krypto, shows up, and he discovers his cousin, Supergirl. He has girlfriends -- Lana Lang and Lois Lane compete for his attention (without a lot of the psychological anxiety that Superman will face in the future over his inability to live a normal life and raise a normal family).
The villains, like Lex Luthor, aren't even purely evil -- they have their limits. Bizarro is not evil at all, just . . . dumb and amusing so long as Superman can repair any damage he does.
It's a little bit trivial to point out how comics reflect cultural reality, but . . . they do. It's fun to revisit the fifties here -- i suspect it's not so much an innocent age as one in which the story we told ourselves about ourselves (as in our Superman comics) was focused where we wanted it to be focused -- family, friends, the pleasures of everyday life.
But, putting aside all the sociology and pretenses of cultural history, these stories are just fun to read. It's not the Superman we know now, it's just different, a change of pace, fun.
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Reviewed in the United States on September 28, 2013
★★★★★ 5
Fun Times
Format: Kindle
Best Collection from my youth. Although I was not born until 1957, my dad's first cousin was an avid DC Comics collector, and these 1950s stories were the bulk of my experience of Superman during my 1960s childhood. Contrast the fight against fellow survivors of Krypton in this volume with that in Man of Steel. Here are the primary colors, can-do spirit, and ultimately optimistic view of science and the future so fondly remembered by older fans. In the end, there is probably no reconciling the angry countercultural gloom and discontent of modern comics with these gems of the past, but if as I you are sick to death of the politically correct socialism, these are a much needed breath of fresh air.
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Reviewed in the United States on May 30, 2021
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
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Reviewed in the United States on August 16, 2021
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
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Reviewed in the United States on November 5, 2021
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld.
It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale.
Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own.
Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of.
In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy.
Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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