SKU: 74984080611
aglaonema deli

aglaonema deli Aglaonema 'Diamond Bay'

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Description

aglaonema deli Aglaonema 'Diamond Bay'Aglaonema 'Diamond Bay' A wide silver green centre framed by deeper green margins gives Aglaonema 'Diamond Bay' its broad silver centred leaf pattern. The broad lance shaped leaves arch gently from a short clumping base and create a full, upright potted plant. New growth rises from basal shoots, gradually making the plant denser as it matures. Long petioles hold the foliage slightly above the pot, so the pale centres remain visible even on a fuller

Aglaonema 'Diamond Bay'

A wide silver-green centre framed by deeper green margins gives Aglaonema 'Diamond Bay' its broad silver-centred leaf pattern. The broad lance-shaped leaves arch gently from a short clumping base and create a full, upright potted plant.

New growth rises from basal shoots, gradually making the plant denser as it matures. Long petioles hold the foliage slightly above the pot, so the pale centres remain visible even on a fuller plant.

Diamond Bay leaf traits

  • Broad silver-grey to silver-green leaf centres framed by green margins
  • Lance-shaped leaves with a smooth, gently arching surface
  • Basal shoots that fill the pot with a rounded crown over time
  • Aglaonema selection related to the 'Silver Bay' group
  • Warm, filtered-light position reduces scorch on the pale centres and keeps new leaves from stalling

Leaf pattern and Aglaonema background

Aglaonema 'Diamond Bay' is a silver-leaved Chinese evergreen related to the 'Silver Bay' group. Its leaf pattern is less speckled, with a broad silver-green centre and a darker green edge around each blade.

The genus Aglaonema is native from north-eastern India through Southeast Asia to New Guinea, where wild species grow in warm, humid forest habitats with filtered light. The name comes from Greek words meaning “shining stamen”, referring to the flower structure typical of the genus.

'Diamond Bay' grows as a short-stemmed evergreen clump. Older leaves sit around the outside of the crown while new leaves emerge from the centre and from side shoots near the base, so the plant fills out from the middle and lower crown.

Indoor care for Aglaonema 'Diamond Bay'

  • Light: Use medium to bright filtered light. Hot direct sun near glass can bleach or scorch the pale centres.
  • Watering: Water when the upper 2–4 cm of substrate feel dry. Keep the root ball evenly moist during active growth, then let it partially dry again.
  • Substrate: The mix should hold light moisture but still let air reach the lower stems and roots.
  • Drainage: A pot with drainage holes lets excess water leave the root zone. Empty standing water from the cover pot after watering.
  • Temperature: Keep at 18–27 °C where possible, so new leaves keep emerging and the petioles stay firm. Protect from cold windowsills, draughts and temperatures below 16 °C.
  • Humidity: At average indoor humidity, most leaves expand without crisp tips; very dry heated air can brown the edges faster.
  • Feeding: Feed lightly at reduced strength while the plant is actively producing new leaves. Rinse the substrate occasionally to prevent salt build-up.
  • Repotting: Repot when the root ball is firm or watering runs straight through. Move up by one modest pot size so the new mix does not stay wet around a small root ball.
  • Grooming: Cut ageing leaves at the base. Remove spathes early if they crowd new leaves or leave dry tissue inside the crown.
  • Propagation: Divide rooted basal shoots during repotting, keeping leaves and roots on each division.

Diamond Bay cold, light and root checks

  • Grey, water-soaked patches: Cold injury is likely. Check for chilly glass, cold transport stress or draught exposure.
  • Yellow lower leaves: Check the lower root ball for wetness, dryness or compacted substrate before changing the watering pattern.
  • Brown tips: Dry intervals, fertiliser salts or very dry air are common causes. Flush the mix gently and reduce feed strength.
  • Bleached pale areas: Move the plant back from direct sun or heat concentrated through window glass.

Diamond Bay sap safety

Keep Aglaonema 'Diamond Bay' away from pets and small children because its leaves and stems contain insoluble calcium oxalate crystals. Leaves or stems eaten or nibbled can irritate the mouth, lips, tongue and throat. Sap may irritate sensitive skin, so wash hands after pruning or dividing.

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SKU: 74984080611

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★★★★★ 5
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There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
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M. J. Smith
Port Orchard, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
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I X Key
Massapequa, US
★★★★★ 1
very droll
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I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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