SKU: 75825379758
philodendron birkin white leaf

philodendron birkin white leaf Philodendron Birkin

Sale price$23.80 Regular price$26.45
Save 10%

Pay in installments of $6.61 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Sep 7 - Sep 12

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

philodendron birkin white leaf Philodendron BirkinPhilodendron 'Birkin' ('White Measure') Philodendron 'Birkin' is a compact, self heading Philodendron with dark green leaves and fine pale striping. Its pinstripe pattern and upright growth give it a tidy profile in indoor pots, while the short stems keep the plant denser than many climbing Philodendron. The plant grows from short, upright stems with thick petioles. New leaves can open with softer striping and deepen in contrast as they mature, while

Philodendron 'Birkin' ('White Measure')

Philodendron 'Birkin' is a compact, self-heading Philodendron with dark green leaves and fine pale striping. Its pinstripe pattern and upright growth give it a tidy profile in indoor pots, while the short stems keep the plant denser than many climbing Philodendron.

The plant grows from short, upright stems with thick petioles. New leaves can open with softer striping and deepen in contrast as they mature, while each leaf carries its own pattern.

Birkin traits and growth habit

  • Growth habit: Compact, self-heading Philodendron with upright stems and short internodes.
  • Leaf pattern: Dark green leaves carry fine white, cream, yellowish, or light green pinstripes.
  • Leaf variation: Every leaf develops its own stripe density, so the plant changes gradually as it grows.
  • Indoor size: Usually remains compact in pots, with slower, tighter growth when root space is limited.
  • Flowering: Mature plants can produce a spathe and spadix inflorescence indoors, but flowering is uncommon in typical home conditions.

Compact stems and striped leaves

Philodendron 'Birkin' develops as a dense, upright plant. The stems remain short, and the petioles hold leaves outward from the centre, so the pinstriped blades sit clearly around the crown as the plant fills out.

The pale striping sits within the leaf tissue and varies naturally. Some leaves may be strongly striped, while others may be greener or more lightly marked.

Growing Philodendron 'Birkin' indoors

  • Light: Place in bright filtered light. Strong direct sun can scorch the leaves, especially where the pale striping is broad.
  • Watering: Water when the upper part of the substrate has dried. Keep moisture even, then let excess water drain completely.
  • Substrate: Use a loose aroid mix with bark, coco coir or chips, perlite, pumice, and a small moisture-retentive fraction.
  • Drainage: Keep the plant in a pot with drainage holes and avoid dense, collapsed substrate around the central stem and lower roots.
  • Humidity: Around 50–60% or higher supports smooth leaf expansion and reduces dry tips on new growth.
  • Temperature: Keep between 18–28°C. Avoid cold draughts and cold wet substrate, which can slow the central growing point.
  • Feeding: Feed lightly during active growth with a balanced houseplant fertiliser. Reduce feeding when new leaves slow down.
  • Repotting: Repot when roots fill the pot or watering becomes difficult to balance. Move up gradually to avoid excess wet substrate.
  • Pruning: Remove yellow, damaged, or weak leaves close to the stem with clean tools.
  • Semi-hydroponics: Can adapt to airy mineral substrates if roots are cleaned carefully and the central stem stays above the wet zone.
  • Propagation: Use a cutting or division with a viable node and growth point. A single detached leaf cannot become a new plant.

Common issues with Philodendron 'Birkin'

  • Yellowing leaves: Check whether the mix is staying wet for too long. Improve drainage and let the upper substrate dry further before watering again.
  • Brown tips: Often linked to dry air, irregular moisture, fertiliser buildup, or stressed roots. Flush the substrate and stabilise watering.
  • Small new leaves: Check light, root space, and feeding. A compact plant can still slow down when the root ball is depleted.
  • Weak central growth: Inspect the crown and upper roots for rot if new leaves emerge soft, distorted, or unusually pale.
  • Greener new growth: Some leaves may emerge with weaker striping or more green tissue. Remove fully reverted growth back to a healthy patterned point if plain green leaves continue.
  • Pest damage: Thrips, mites, scale, and mealybugs can hide around petioles and new leaves. Check closely if striping becomes scarred or growth twists.

Managing mature growth

Philodendron 'Birkin' keeps a more even shape when the pot is turned occasionally and the plant is not pushed into an oversized container. Older leaves can be removed once they yellow naturally, while healthy leaves are best left in place unless the plant needs reshaping.

If the plant becomes uneven, refresh the shape by removing weak or damaged growth. Stronger correction is best done during active growth, when the plant has enough light and warmth to produce new leaves from the central growing point.

Safety around pets and children

Keep Philodendron 'Birkin' away from pets and children. Like other Philodendron, it contains insoluble calcium oxalate crystals that can irritate the mouth, throat, digestive tract, and sensitive skin. Wear gloves if you react to aroid sap, and wash hands after pruning.

Philodendron genus and Birkin names

Philodendron belongs to the Araceae family. The genus name is commonly translated from Greek roots as “tree-loving”, reflecting the tree-associated growth seen in many Philodendron. The names 'White Wave' and 'White Measure' are also used for this compact pinstriped cultivated Philodendron.

Philodendron 'Birkin' stays compact and upright, with pale striping that shifts naturally from leaf to leaf as the plant matures.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 75825379758

Discover Niche Categories That Outsell philodendron birkin white leaf

Top-Converting Item to Boost Your Average Order

4.5 ★★★★★
Based on 10 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
P
Verified Purchase
pepe
Port Orchard, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Grantham, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 4, 2023
D
Verified Purchase
Donald Walker
Birmingham, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 30, 2012
J
Verified Purchase
Judith R. Hert
Phoenix, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 22, 2015
C
Verified Purchase
Common Arts Farm
Lowell, US
★★★★★ 4
Creativity which has the power to change the world
A few caveats to those who are generally interested in creativity studies: Csikszentmihalyi's analysis and discussion of creativity does not directly relate to those who are personally creative. People who enjoy engaging in creative activities are not demoted, in his terms, but are simply not a part of the study. It is unfortunate that his language makes it seem this way; he distinguishes between the two by saying that Creativity has the power to shape a domain or the world, while creativity applies to those who enjoy coming up with new recipes, who are engaged in research that may not change a domain, but may "tweak" it, etc. What he is trying to discover are the underlying principles and traits of creativity in those whose work has made a significant change. Think Albert Einstein, Eleanor Roosevelt, Mark Strand: people who are either widely known for their influence, or who have been influential within their area or domain. This book provides an interesting view into the minds and work habits of Creative individuals, and concludes by offering general advice to those who wish to make their own lives and work more creative. It is a useful book, but one which requires a great deal of supplemental reading, in order to truly engage in creativity studies.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 29, 2003

recommand products