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Description
philodendron red congo mini Philodendron Rojo CongoDescription Light Soil Water Hardiness Philodendron Rojo Congo is native to South America, specifically regions in Brazil and neighboring countries. Its natural habitat is the rainforests, where it thrives in the warm and humid climate. This philodendron typically grows upright with a bushy habit, making it a fantastic choice for enhancing interior decor or filling a corner that needs a dramatic touch. Rojo Congo's most notable feature is its deep,
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Philodendron Rojo Congo is native to South America, specifically regions in Brazil and neighboring countries. Its natural habitat is the rainforests, where it thrives in the warm and humid climate. This philodendron typically grows upright with a bushy habit, making it a fantastic choice for enhancing interior decor or filling a corner that needs a dramatic touch.
Rojo Congo's most notable feature is its deep, velvety, burgundy-red leaves. These large, heart-shaped leaves have a glossy sheen, adding a touch of luxury to any space. The contrast between the red foliage and the plant's green stems creates an exquisite visual display.
As with many Philodendrons, the Rojo Congo contributes to improved indoor air quality by helping to remove common pollutants and toxins, making your home a healthier place to live. It's also considered relatively easy to care for, making it a good choice for both novice and experienced plant enthusiasts.
Philodendron Rojo Congo is not primarily grown for its flowers, and it is relatively rare for it to produce blooms when cultivated as a houseplant. However, when it does flower, the blooms are typically inconspicuous and pale in color.
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Rojo Congo prefers bright, indirect sunlight, but it also tolerates medium light conditions.It needs at least a few hours of light daily. Avoid harsh direct sun to prevent scorching leaves.
This plant prefers slightly moist but not waterlogged soil. Water thoroughly and drain well after each watering. Check the soil twice per week and only water when the top 1" of the soil is dry to the touch.
Rojo Congo likes rich soil that can retain some moisture, but the soil should also drain well to prevent root rot. It is recommended that you mix some peat with general houseplant soil to improve drainage.
This plant grows best in normal room temperatures (between 65°F-80°F). It does not grow well in temperatures below 50°F and over 90°F. Red Congo thrives in normal indoor humidity, and it is recommended that you mist your plant and use a humidifier when the environment is too dry (humidity level falls below 50%).
This plant should be fertilized once during the growing season (spring/summer) with diluted houseplant fertilizer.
Rojo Congo plant is toxic if ingested, so keep it out of reach of pets and children.
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USDA Zone 9-11
USDA Zone 9b: to -3.8 °C (25 °F)
USDA Zone 10a: to -1.1 °C (30 °F)
USDA Zone 10b: to 1.7 °C (35 °F)
USDA Zone 11: above 4.5 °C (40 °F)
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4.2 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021