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renauxii philodendron

renauxii philodendron Philodendron renauxii – Glossy Creeping Philodendron

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Description

renauxii philodendron Philodendron renauxii – Glossy Creeping PhilodendronPhilodendron renauxii Robust Growth and Distinct Leaf Structure What makes Philodendron renauxii visually unique Philodendron renauxii stands out for its thick, ground creeping stem and oversized, leathery leaves with a clean, sculpted edge. The leaf blades are broadly to oblong elliptic, reaching up to 40 cm in length and edged with a translucent hyaline margin that gives them a delicate glow in the light. The surface is firm but slightly flexible,

Philodendron renauxii – Robust Growth and Distinct Leaf Structure

What makes Philodendron renauxii visually unique

Philodendron renauxii stands out for its thick, ground-creeping stem and oversized, leathery leaves with a clean, sculpted edge. The leaf blades are broadly to oblong-elliptic, reaching up to 40 cm in length and edged with a translucent hyaline margin that gives them a delicate glow in the light. The surface is firm but slightly flexible, with a dense network of upward-curving veins that arch toward the edges and give the foliage subtle motion. The base is often cordate to slightly notched, while the tip tapers into a short, distinct cusp. When fully mature, the contrast between its deep green blades and white interior spathes during flowering makes this species both structured and ornamental – without being overbearing.

Foliage characteristics and structural features of Philodendron renauxii

  • Thick, creeping stem 3 – 5 cm wide with very short internodes
  • Broad, elliptic leaf blades with hyaline margins and sub-coriaceous texture
  • Petioles 30 – 40 cm long, sulcate on the upper side, with a short basal sheath
  • Leaf apex cuspidulate, base cordate to emarginate, rich venation pattern
  • Dense, sub-equal lateral veins curving near the margins and joining together

Natural habitat and size information for Philodendron renauxii

This species is native to the tropical Atlantic forest biome of Brazil, where it grows along the forest floor with its creeping stem rooted in humid, shaded soil. The region offers warm, moist conditions year-round, with average temperatures above 22°C and high rainfall. Indoors, Philodendron renauxii maintains its creeping habit and spreads laterally more than vertically. Mature leaf blades can reach 30 – 40 cm in length and up to 20 cm in width under ideal care. Growth is steady but not aggressive, making it manageable even in moderate-sized spaces. Toxicity: Like most Philodendrons, it contains calcium oxalate crystals and is considered toxic if ingested by pets or humans.

Easy-care guide for Philodendron renauxii

  • Placement: Prefers a warm, humid corner with soft indirect light
  • Light: Grows well in bright shade or medium filtered light – avoid direct sun
  • Water: Keep soil slightly moist but not wet; let the top few cm dry out before watering again
  • Humidity: Best growth occurs in 60 – 80% humidity
  • Temperature: Needs stable temperatures above 18°C
  • Substrate: Use a chunky mix with bark, perlite, coco chips, and humus-rich material
  • Repotting: Every 2 years or when roots begin to creep over the pot’s edge
  • Fertilizing: Feed with a balanced liquid fertiliser every 3 weeks in active growth
  • Propagation: Best done via division of creeping stem sections
  • Hydroponics: Can adapt to semi-hydro systems with care, but prefers substrate
  • Pruning: Remove old leaves to keep form compact and prevent pest buildup

Potential issues with Philodendron renauxii and how to manage them

  • Yellow leaves: Often a sign of overwatering or poor drainage
  • Fungus gnats: More likely in soggy soil – let topsoil dry and use sticky traps
  • Spider mites: Appear in very dry air – wipe leaves regularly and treat with neem
  • Leaf browning at tips: Usually due to low humidity or mineral buildup – flush substrate occasionally
  • Stunted growth: Check light levels and root space

Extra notes to grow Philodendron renauxii successfully

This species spreads more than it climbs, so give it a wide, shallow pot and let it fill the space over time. As it creeps, new growth emerges close to the soil, supported by its thick internodes and strong petioles. Its slow but consistent expansion makes it perfect for collectors who enjoy observing structural growth rather than fast vertical climbs. Getting familiar with how Philodendron renauxii grows on the forest floor – shaded, rooted in humid ground, and slowly creeping – will help you recreate the conditions it needs to thrive indoors.

Etymology and classification of Philodendron renauxii

The genus name Philodendron combines the Greek words “philo” (love) and “dendron” (tree), referring to the plant’s affinity for climbing or tree-dwelling in many species. Philodendron renauxii was formally described by Reitz and published in 1957 in the journal Sellowia. The species name renauxii honours a Brazilian botanist or plant collector associated with its discovery and classification.

Order your Philodendron renauxii now

This rare, creeping aroid is perfect if you're after bold leaves, hyaline margins, and a more horizontal growth style. Order Philodendron renauxii today and give your plant shelf something truly unique.

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Trendy Chic
Lowell, US
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Not what I was expecting, but I liked it.
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My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Matthew
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Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Great story
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I’m not an avid reader, but this was finished in a few days. Such a good book!
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Charlottesville, US
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Won’t be buying book two.
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Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Dr.C.J.Singh.Wallia
Lake Worth, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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