SKU: 78725086350
bravo baby stroller

bravo baby stroller Chicco Bravo Trio Travel System Camden

$19.18 $21.31
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Ships within 48 hours · Estimated delivery Jul 24 - Jul 29

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Description

bravo baby stroller Chicco Bravo Trio Travel System CamdenA Perfect Match: The Power Couple of Infant Travel The top selling Bravo 3 in 1 Trio Travel System combines the full size Bravo Quick Fold Stroller with the top rated KeyFit 30 Infant Car Seat for streamlined travel. With easy click in compatibility, the KeyFit 30 is secured via the Bravo child tray, offering adapter free convenience and effortless transitions from car to stroller. Three modes a lightweight frame carrier, a versatile travel system and

A Perfect Match: The Power Couple of Infant Travel

The top-selling Bravo 3-in-1 Trio Travel System combines the full-size Bravo Quick-Fold Stroller with the top-rated KeyFit 30 Infant Car Seat for streamlined travel. With easy click-in compatibility, the KeyFit  30 is secured via the Bravo  child tray, offering adapter-free convenience and effortless transitions from car to stroller.

Three modes a lightweight frame carrier, a versatile travel system and a full-size toddler stroller  cater to your travel needs as your little one grows from newborn to toddler. From less is more to fully loaded, transition through the modes for streamlined travel at every stage.

For child comfort, the Bravo Stroller features a one-hand, multi-position reclining seat and a convenient child tray with cup holders and storage. The large, UPF-rated canopy with peek-a-boo mesh window provides privacy and protection from the elements in all 3 modes.

The Bravo Stroller showcases large, sleek wheels with treaded tires and all-wheel suspension to navigate uneven terrain. The rear-linked foot brake secures the stroller with a simple tap and the multi-position push handle adjusts in height for parent comfort.

For additional parent convenience, the Bravo Stroller has a one-hand smart fold with auto-swivel front wheels and stands independently on the wheels without the parent handle touching the ground. The large storage basket features 2 organizer pockets, mesh sides for visibility and easy front & rear access.

Easiest to Install KeyFit 30
The top-rated KeyFit 30 Infant Car Seat is engineered with innovative safety features that make it the easiest to install correctly. Two RideRightå¨ bubble level-indicators and the ReclineSureå¨ spring-loaded leveling foot help verify and achieve proper angle in the vehicle seat. The base is also equipped with premium LATCH connectors for easy attachment and removal from the lower anchors in the vehicle seat. The one-pull SuperCinchå¨ tightener applies force-multiplying technology for a secure fit with a fraction of the effort.

For installation with the vehicle seat belt, clear belt routing and integrated lock-offs make it easy to position, tighten and lock the belt into place.

Bravoå¨ Stroller Features:

  • Includes the top-rated KeyFit 30 Infant Car Seat with stay-in-car base
  • One-hand smart fold design is compact and self-standing
  • Removable stroller seat & canopy transform stroller to a lightweight car seat carrier
  • Offers secure, click-in attachment for all Chicco infant car seats via the included child tray no adapter needed
  • Large, UPF-rated adjustable canopy with mesh peek-a-boo window
  • Multi-position reclining toddler seat for added comfort
  • Large wheels with treaded tires and all-wheel suspension for smooth strolling
  • 3-position adjustable push handle and parent tray with two cup holders & storage
  • Large, easy-access storage basket with organizer pockets
  • One-touch, linked rear brakes for parking

KeyFit 30 Features:

  • Top-rated and engineered with innovative features that make it the easiest infant car seat to install correctly
  • Lightweight, 9.5 lb. carrier clicks securely into compatible Chicco strollers
  • 5-point harness with one-pull tightener
  • Premium LATCH connectors for easy attachment & removal
  • SuperCinch force-multiplying tightener
  • ReclineSure spring-loaded leveling foot
  • RideRight bubble level-indicators
  • Removable head and body support for newborns weighing 4-11 lbs.
  • Carrier shell with EPS energy-absorbing foam for improved impact protection
  • Large, removable canopy and machine washable seat pad

Usage

  • The Bravo Stroller is designed for children up to 50 lbs.
  • The KeyFit 30 Infant Car Seat is designed for infants between 4-30 lbs. and up to 30" tall.

Bravo  Quick-Fold Stroller Dimensions

  • Toddler Stroller Assembled Dimensions: 35.2" x 22.8" x 42.7"
  • Toddler Stroller Folded Dimensions w/Child Tray Installed: 15" x 22.8" x 36.8"
  • Toddler Stroller Folded Dimensions w/Child Tray Removed: 15" x 22.8" x 29"
  • Toddler Stroller Assembled Weight: 24.9 lbs
  • Frame Stroller w/Canopy Assembled Weight: 21.8 lbs
  • Frame Stroller Assembled Weight: 20 lbs
  • Front Wheel Diameter: 7.5"
  • Rear Wheel Diameter: 10.3"

KeyFit 30 Infant Car Seat Dimensions

  • Assembled Dimensions: 27.5" x 17" x 24"
  • Car Seat Without Base Weight: 9.6 lbs.
  • Base Only Dimensions: 20" x 15" x 8"
  • Base Only Weight: 7 lbs.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 78725086350

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4.3 ★★★★★
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Product Reviews
M
Verified Purchase
Mr. Watkins
Omaha, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Battle Creek, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Battle Creek, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Massapequa, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Bozeman, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2016

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