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Description
yoyo travel stroller Babyzen YOYO² Complete Stroller BundleThe one you need. New YOYO. Now YOYO has a new look and evolves into YOYO to offer even more comfort and practicality with a new reinforced frame, independent suspensions on the 4 wheels and a handlebar in faux leather. Still just as lightweight and compact, YOYO has double the agility and ingenuity to make your life even easier! The YOYO stroller folds and unfolds in a moment, can be worn over the shoulder and tucks in anywhere. YOYO is so compact
The one you need. New YOYO².
Now YOYO has a new look and evolves into YOYO² to offer even more comfort and practicality with a new reinforced frame, independent suspensions on the 4 wheels and a handlebar in faux leather. Still just as lightweight and compact, YOYO² has double the agility and ingenuity to make your life even easier!
The YOYO² stroller folds and unfolds in a moment, can be worn over the shoulder and tucks in anywhere. YOYO² is so compact that it can be stored in the smallest space at home, takes up very little space in the trunk of a car and can even be carried on the plane as hand luggage. It’s the only bassinet & stroller combo in the world that folds completely flat!
The new YOYO² stroller benefits from unparalleled flexibility and cushioning, thanks to the new, individual suspensions on all 4 wheels, allowing the stroller to perfectly navigate all types of surface. YOYO² is extremely strong and light thanks to its high quality materials. With its aluminium alloy, stainless steel and fibre-glass reinforced technical plastics, your stroller will last for several generations. And in order not to make the old versions of YOYO obsolete, all the BABYZEN products and accessories that fit YOYO+ also fit YOYO².
From birth, baby lies parent-facing to encourage connection with their parents. The 0+ Newborn Pack has been designed to give your baby maximum comfort, thanks to its soft, cozy nest pad, specially designed to accommodate newborns.
From 6 months and using the same frame, simply swap 0+ newborn fabrics for 6+ fabrics, and sit baby up to face the road. Time for him/her to discover the world! The YOYO² backrest can be inclined to multiple positions, and features comfortable padding with a 5-point harness.
Please Note: The Babyzen YOYO² Complete Stroller Bundle will take you from birth to toddler and is actually made up of three separate components. It includes the YOYO² frame, 0+ Newborn Pack and the 6+ Color Pack.
YOYO² Frame Features
- New reinforced frame with approved support up to 50 lbs.
- New independent 4-wheel suspension. First-of-a-kind technology (made with a Hytrel® elastomer), providing YOYO² with unrivaled resilience and shock absorption
- New premium faux leather handlebar: more resistant and hygienic, with greater security thanks to the tether wrist strap
- New universal buckle design: more pleasant to the touch and easier to handle
- New adjustable harness strap: softer and more flexible, for greater comfort
- New tool-free reversible backrest, using a more ergonomic button
- Revamped design of the front and back wheel bearings, armrests and shopping basket
- Ultra-compact YOYO-type folding: 20.5 x 17.3 x 7.1 in follows you on-board a plane as hand luggage
- Ultra-light weight for an all-in-one frame: 13.6-14.5 lbs.
- Quickly folds and unfolds with the use of just one hand
- Easy one-hand steering
- Multi-position reclining backrest
- Front swivel wheels
- Rear-wheel parking brakes
- All-wheel shock absorbing suspension
- Basket supports up to 11 lbs, easily accessible from the front or back
- Carry on the shoulder with its padded shoulder strap
- Comes with a transport bag
- Lightweight and durable aluminum frame and wheel axles
- Compatible with select infant car seats with the use of YOYO+ Car Seat Adapters to create a convenient travel system (sold separately)
- Compatible YOYO Bassinet clips onto YOYO² in a single click. It has a semi-hard shell and enveloping foot cover creating a newborn cocoon. The semi-hard shell allows for bassinet to be used off the stroller on the ground. (sold separately)
- Compatible YOYO+ Board connects to your YOYO² stroller in a single one-hand click and it can carry a tired older child up to 44 lbs. (sold separately)
- Compatible YOYO+ Bag hooks onto your YOYO² to carry more shopping goodies. Sitting on a rolling base, it effortlessly carries 22 lbs. (sold separately)
- All accessories that adapt to YOYO+… can now be adapted to YOYO² !
- Suitable for children from birth up to 22 lb.
- Fully reclined newborn nest design that is parent facing
- Reinforced mattress which lies completely flat
- Made with fluffy white sherpa fleece lining that is comfortable for sleeping
- Soft, comfortable mattress
- Padded 5-point safety harness
- Adjustable central strap for optimal baby placement
- Exclusive pop-up canopy with 2 positions
- Canopy offers UPF 50+ rated sun protection
- Anti-UV fabric UPF 50+ treated with waterproofing
- Includes a foot cover and a newborn head support
- Headrest covered in soft light material matching the mattress color
- Foot cover comes in the same material as the canopy, for more attractive, superior protection
- Carry cot is densely cushioned for comfort
- With handlebar folded, you can change your baby with ease
- Stroller folds flat with bassinet attached
- Included rain cover entirely protects the stroller
- Easy to install and remove
- Machine washable fabrics
- Suitable for children 6 months and up; or weighing 16-50 lb.
- Consists of a seat pad and popup canopy
- Comes with a 5-point, adjustable padded safety harness
- Seat pad is densely cushioned for comfort
- Multi-position reclining backrest
- 3-position canopy offers UPF 50+ rated sun protection
- Canopy has a peekabo window for keeping a constant eye on your child
- Anti-UV fabric (UPF 50+) treated with waterproofing
- Zipped back pocket to store essentials close at hand
- Seat is road facing
- Easy to install and remove
- Machine washable fabrics
- Stroller weight: 13.6 to 14.5 lbs depending on version
- Dimensions (unfolded)" 42" L x 17" x 34" H
- Dimensions (folded)" 20.5" L x 17" x 7" H
What you get: stroller frame, reversible backrest, shopping basket, shoulder strap, transport bag, 0+ newborn nest fabrics, 0+ head support, 0+ canopy, 0+ canopy wire, 0+ nest pad, 0+ foot cover, 0+ rain cover, 0+ user guide, 6+ seat base, 6+ seat pad, 6+ canopy, 6+ canopy wires and 6+ user guide.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.3 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out).
Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!).
Some additional personal nuggets I gleaned from this book include the following:
1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199).
2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138)
3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322)
The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process.
The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual.
Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life.
HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
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Reviewed in the United States on February 22, 2015
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