SKU: 81384120092

doona car seat stroller knock off

doona car seat stroller knock off Doona™ x Vashtie Infant Car Seat/Stroller + Base

Name: doona car seat stroller knock off Doona™ x Vashtie Infant Car Seat/Stroller + Base
Brand: www.warpunited.com
SKU: 81384120092
Price: 22.72 USD
Availability: InStock
Rating: 4.5994 (14 reviews)

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Description

doona car seat stroller knock off Doona™ x Vashtie Infant Car Seat/Stroller + BaseBOLD, SOPHISTICATED, STYLISH. Discover the ultimate collaboration with Downtown's Sweet Heart, Vashtie. The multi talented fashion designer, director, DJ, and creative consultant born and raised in New York City brings her artistic touch to our latest limited edition collection. Embrace the perfect blend of fashion forward aesthetics and practicality as you explore the Doona Car Seat & Stroller, featuring handwritten empowering messages to her child.

BOLD, SOPHISTICATED, STYLISH.

Discover the ultimate collaboration with Downtown's Sweet Heart, Vashtie. The multi-talented fashion designer, director, DJ, and creative consultant born and raised in New York City brings her artistic touch to our latest limited edition collection. Embrace the perfect blend of fashion-forward aesthetics and practicality as you explore the Doona Car Seat & Stroller, featuring handwritten empowering messages to her child. Doona x Vashtie exudes a bold and sophisticated style inspired by the city that never sleeps.

Doona’s limited edition features a specially designed canopy and seat cover by Vashtie herself, with handwritten details, black anodized aluminum, and faux leather touches throughout. This limited edition includes an exclusive Essentials Tote Bag with the Vashtie signature keychain.

the next generation car seat.

Doona was designed to provide parents a safe and practical mobility solution for their baby, both in and outside the car. Doona is the world's first infant car seat with a complete and fully integrated mobility solution.

Perfect for today's busy parent, the Doona surpasses every safety standard both in its primary function as a car seat and when converted - with just a click of a button - into a stroller. With a deep double walled side impact protection, orthopedic inner cushion, and anti-rebound technology, the Doona is also larger than most of its peers, meaning that your infant can remain in the safest form of car seat longer. The Doona can be easily secured using a 3-point seat belt, or with a base (included).

The Doona's integrated wheels mean that in less than ten seconds you can be out of your car with your little one and on your way in safety and style. Whether you're running errands, picking up a latte, or traveling through an airport, the Doona is truly the next generation in parent and child mobility.

Anit-Rebound Protection. Unlike typical car seats, Doona’s unique structure enables positioning the handle against the back of the seat of the car, thus providing the baby with exceptional Anti-Rebound protection. In case of a collision, the Anti-Rebound handle will absorb the impact and prevent the Doona™ from rotating quickly towards the back of the seat, thus dramatically reducing rebound injuries.

Fail Safe Mechanisms. Two of the most common injury causes relating to Car Seats and Strollers are misuse and improper installation. With this in mind, the Doona™ Design and Engineering teams developed multiple fail-safe mechanisms to prevent misuse and assure safe operations. Among others, these mechanisms prevent the following:

• Unintentional folding of the Doona
• Sudden extension of the Doona handle while in carry mode
• Rotation of the extended handle while Doona is in “on-the-go” mode”

Side Impact Protection. Doona’s unique double wall structure, which enables the folding of its wheels into the Doona™ body, deliver an additional significant safety benefit. The two layers of durable, impact-absorbing plastic, along with additional layers of EPS, foam and textiles provide enhanced side- impact protection which better protects the baby in case of an accident.

Infant Insert. Specifically designed for newborn babies, the Doona Infant Insert provides young babies with the highest levels of safety and comfort. Developed alongside global engineering, safety and medical experts, the insert supports your baby’s posture, by mimicking a natural position, thus granting parents and babies the freedom to travel together.

Baby Safe Materials. Not only are the materials used free of any hazardous chemicals, they are also tested for their durability and quality to assure the safe and continuous use of the products.

Vastie Features

Exclusive Essentials Tote Bag with the Vashtie signature keychain
Vashtie handwritten pressed seat cover
Vashtie handwritten text on the parent control bar
Vashtie signature logo
Vashtie signature detail
Exclusive Vashtie hand-written handlebar cover
Vashtie handwritten canopy
Black anodized aluminum profiles
Black canopy with faux-leather detailing
Black faux-leather removable handle bar cover
Matching shoulder pads
Nitro Black seat cover
Black Bamboo-fiber Infant Insert & Head Support
Exclusive edition packaging

Doona Car Seat/Stroller Features

The only car seat with integrated wheels
One simple motion operation- from Car Seat to Stroller in seconds
Three use modes:

Car Seat Mode: Suitable when travelling in a private vehicle, taxi or airplane.
Pull Along Mode: Maneuver the product easily while walking or seating next to it.
On the Go Mode: As a stroller when you leave the vehicle and wish to walk around with your baby.

Easy instant fold and compact storage
One touch brake
Swivel wheels
Rear-facing design
Thick, protective padding for safety and comfort
3-layer side-impact protection
New stretch material canopy
5-point safety harness
Adjustable handlebar also acts as an anti-rebound bar inside the car
Chassis suspension for a smoother ride
Orthopedic designed Infant Insert cradles and support infant
Baby Safe materials & new and improved breathable textiles and inner foams
Infant Insert is anti-bacterial, hypoallergenic and temperature regulating
Included car seat base features-

Height adjustment
Level indicators
Belt locking clips
LATCH installation system

Included vehicle seat protector keeps stains and soil off upholstery
Removable and washable textiles
TUV and FAA aircraft approved for travel

Specifications

Weight/Height Capacity: 4-35 lbs and up to 32"
Car Seat Dimensions: 26" L x 17.3" W x 23.6" H
Stroller Dimensions: 32.2" L x 17.3" W x 39" H
Base Dimensions: 21" L x 15.7" W x 9.6" H
Seat Weight: 17.2 lbs
Latch Base Weight: 10 lbs
Includes: Doona Infant Car Seat + Stroller in Vashtie, LATCH Base, Infant Insert, Head Support, Vehicle Seat Protector, Sunshade Extension and Essentials Bag in Vashtie with keychain.

Shipping Notes

Free Standard Shipping on $100+ Orders to the USA.
Except Preorder products are shipped in 48 hours.
Delivery to the USA:

Standard Shipping : 3-10 business days

If time is of the essence, please consider selecting expedited delivery for faster service.

Exchange/Return Notes

We offer a 30-day return/exchange service after receiving.
Final sale items are not eligible for returns or exchanges.
To process your return/exchange, please contact us at [email protected]
Please click here for more details>>> Return & Exchange Policy

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Product Reviews

Verified Purchase

Paula Cappa Reviews

Draper, US

★★★★★ 5

If you can only afford one craft book on Dialogue, this one is it.

Format: Hardcover

The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get. Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in. What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.

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Reviewed in the United States on July 28, 2016

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Bookworm

Chelsea, US

★★★★★ 5

It's All Right Here. All of it.

Format: Hardcover

I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager

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Reviewed in the United States on September 21, 2016

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jk Smiles

Natrona Heights, US

★★★★★ 5

A book on dialogue should be experienced first as a book on tape

Format: Audio CD

I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.

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Reviewed in the United States on August 30, 2018

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Lori T. Sly

Carnegie, US

★★★★★ 4

Helpful, but not as good as "Story" by same author, and it disses certain genres

Format: Hardcover

This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.

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Reviewed in the United States on December 12, 2019

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Ray Pryor

Grantham, US

★★★★★ 5

Amazing.

Format: Kindle

Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.

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Reviewed in the United States on April 18, 2017