SKU: 83019314299
pot for house plant

pot for house plant Buy Tall Modern Planter Pot

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Description

pot for house plant Buy Tall Modern Planter PotTall Modern PVC Pot Planter, Tapered Square Design The Tapered PVC pots are a sleek modern take on a decorative pot. Minimalist in style, the slight taper inward gives the pot character and guides the eye up towards the main attraction, your new plant. This unique square shape tall planter compliments any home, patio dcor, or commercial setting, It features a sleek, modern style that will complement a wide variety of interior design styles. This

Tall Modern PVC Pot Planter, Tapered Square Design

The Tapered PVC pots are a sleek modern take on a decorative pot. Minimalist in style, the slight taper inward gives the pot character and guides the eye up towards the main attraction, your new plant.

This unique square shape tall planter compliments any home, patio décor, or commercial setting, It features a sleek, modern style that will complement a wide variety of interior design styles. This modern tall planter fits attractively in corners, next to tables, on staircases or to adorn entryways. The tall, slender design could support medium to large plants and floral arrangements without being too obtrusive.

Its exceptional weather-resistant capability and light weight allows you to use it indoors or outdoors as desired. The concept behind the design of this planter is to eliminate the need to replant, simply drop in your favorite tropical plants to decorate your living room, or simply place it on an outdoor area like a balcony, patio, or porch.

This planter has no inner liner plant support and no drainage holes, which acts a saucer or bottom tray which collects excess water runoff. The planter design is a perfect fit for plants that are grown in 14 to 15-inch wide grower pots, about 7gal size.

This design is ideal for dropping in your existing or newly purchase potted plant in its original nursey pot. Dropping in the potted plant is a much simpler process, no mess, no need to add additional soil, no replanting is needed, when owning multiple pots of this size moving plants from patio to indoors is as simple as pulling the plant out and dropping it in a different area, allows for easy exchange and rotation of plants and change of styles with the seasons. The decorative pot is much more effective in catching excess water and keep your new plant happy. Everybody wins!


WATER MANAGEMENT

How Do I Use A Pot When It Has No Drainage Holes? Water management is the key, most plants we supply don't like to sit in excess water, we recommend less than one inch of water a the bottom section of the pot to be acceptable, similar to how a saucer collects excess water runoff. Frequency for watering should be between 4-7 days, when watering the plant try a cup of water, water very slow and spread the water evenly around the soil, this process allow the soil to absorb much of the water and prevent runoff. Monitor runoff amount at bottom of the pot for a few weeks and adjust amount of water as needed. In the event excess water accumulates above the inch threshold at the bottom of the pot we do recommend to empty it out, if at the inch mark reduce watering until it is absorbed by the plant.


    Display Image Setting: Areca Palm and Lady Palm in 5gal 4-5ft High (Plant not Included)

    Planter Size: 3 feet High, 20 Inches Wide at the top, 17 Inches wide at bottom

    Weight: 15 Pounds

    Finish: Low Gloss, Available in White, Charcoal, Bronze

    Drainage Holes: No

    Drop In: Yes

    Use: Indoor, Outdoors, Patio

    Material: PVC

    Warranty: Yes 30 days satisfaction guarantee


    WHY PURCHASE PLANTS OR PLANTERS FROM EUREKA FARMS

    • We offer exceptional service and attention to quality.
    • We grow and care for our plants, from beginning to end.
    • We promise to ship plants that are healthy and beautiful.
    • We carefully inspect, wrap and secure the pot for a save journey to you.

    • Buy with confidence, we offer a 30 days satisfaction guarantee.

      Shipping Notes
      • Free Standard Shipping on $100+ Orders to the USA.
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      Exchange/Return Notes
      • We offer a 30-day return/exchange service after receiving.
      • Final sale items are not eligible for returns or exchanges.
      • To process your return/exchange, please contact us at [email protected]
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      SKU: 83019314299

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      Verified Purchase
      David R. Papke
      Port Orchard, US
      ★★★★★ 5
      Recommended for All Lawyers
      Format: Paperback
      Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 7, 2014
      D
      Verified Purchase
      DoubtfulReader
      Birmingham, US
      ★★★★★ 3
      Notes on Legal Style by a Law Professor and Experienced Lawyer.
      Format: Kindle
      BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on June 27, 2017
      M
      Verified Purchase
      Matt M.
      Louisville, US
      ★★★★★ 5
      Great book and great professor
      Format: Paperback
      Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on January 19, 2021
      J
      Verified Purchase
      J. Christian
      Birmingham, US
      ★★★★★ 4
      Interesting book
      Format: Paperback
      I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on March 20, 2014
      C
      Verified Purchase
      Classics professor
      Cuba, US
      ★★★★★ 5
      Highly recommended -- not just for lawyers!
      Format: Paperback
      I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on April 20, 2017

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