SKU: 83807300180
herb garden seed packets

herb garden seed packets Gardeners Basics Gardening Gifts 70-Variety Seed Pack: 35 Herb & 35

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herb garden seed packets Gardeners Basics Gardening Gifts 70-Variety Seed Pack: 35 Herb & 3570 Variety Seed Pack: 35 Premium Herb Seeds & 35 Blooming Wildflower Seeds Perfect for Gardeners & Landscaping Enthusiasts Introducing the ultimate 70 Variety Seed Pack, a complete gardening gift that brings the joys of growing right to your doorstep! Perfect for both seasoned gardeners and beginners alike, this diverse seed collection is the ideal choice for those who want to cultivate a vibrant, colorful, and fragrant garden. With a remarkable 70

70-Variety Seed Pack: 35 Premium Herb Seeds & 35 Blooming Wildflower Seeds - Perfect for Gardeners & Landscaping Enthusiasts

Introducing the ultimate 70-Variety Seed Pack, a complete gardening gift that brings the joys of growing right to your doorstep! Perfect for both seasoned gardeners and beginners alike, this diverse seed collection is the ideal choice for those who want to cultivate a vibrant, colorful, and fragrant garden. With a remarkable 70 varieties in each pack—featuring 35 herb seeds and 35 flower seeds—this assortment is designed to suit every gardening enthusiast’s needs, providing endless possibilities for your garden, patio, or windowsill.

Each seed in our 70-Variety Seed Pack is carefully selected for quality and performance. These are heirloom seeds passed down through generations and preserved for their exceptional qualities. Unlike hybrids, our seeds are non-hybrid, meaning they’re open-pollinated and will grow true to type, allowing you to harvest seeds from your plants season after season. Plus, every seed in this pack is non-GMO and naturally open-pollinated, so you can feel confident that you’re planting the highest quality and purest seeds in your garden.

Why Choose Our 70-Variety Seed Pack?

• Perfect Gardening Gift: This seed pack makes a fantastic gift for birthdays, holidays, or housewarmings! It’s the gift that keeps on giving as the recipient enjoys watching their garden grow.

• Heirloom Seeds: Each variety has been handpicked to include some of the best heirloom seeds available, ensuring you receive seeds rich in history and known for their high yields and great flavors.

• Non-Hybrid, Open-Pollinated: Our seeds are non-hybrid and open-pollinated, meaning each plant is genetically stable. This allows you to save seeds yearly.

• Non-GMO: We take great pride in offering only non-GMO seeds, so you can be sure that you’re planting pure and naturally grown seeds.

• Diverse Collection of Herbs and Flowers: This unique combination of 35 herbs and 35 flower seeds lets you explore various plant varieties, from aromatic culinary herbs to vibrant, pollinator-attracting flowers. Whether you’re creating a kitchen herb garden or a stunning flower border, this pack has something for every gardener.

What’s Inside the 70-Variety Seed Pack?

Popular Herb Seeds Variety Pack (35 varieties):

Our popular herb seeds variety pack is filled with 35 amazing herb varieties that are perfect for cooking, medicinal use, and enhancing the beauty of your garden. Each herb is carefully chosen for its flavor, aroma, and beneficial properties. So enjoy the culinary delights of basil, oregano, parsley, and more as you grow your very own herb garden.

Anise - Pimpinella Anisum - 250mg - 85 seeds

Arugula - Roquette - 400mg - 270 seeds

Basil - Cinnamon - 300mg - 200 seeds

Basil - Genovese - 300mg - 200 seeds

Basil - Large Leaf Italian - 300mg - 200 seeds

Basil - Lemon - 300mg - 165 seeds

Basil - Purple Dark Opal - 300mg - 235 seeds

Basil - Red Rubin - 300mg - 215 seeds

Basil - Sweet - 300mg - 215 seeds

Basil - Thai - 300mg - 310 seeds

Catnip - 300mg - 560 seeds

Chamomile - German - 200mg - 2600 seeds

Chamomile - Roman - 200mg - 1200 seeds

Chervil - 1g - 390 seeds

Chives - Onion - 300mg - 230 seeds

Cilantro - Leisure - 2g - 175 seeds

Cilantro - Long Standing - 2g - 220 seeds

Cumin - 500mg - 160 seeds

Dill - Bouquet - 1g - 445 seeds

Dill - Dukat - 1g - 360 seeds

Dill - Mammoth Long Island - 1g - 810 seeds

Echinacea - Purple Coneflower - 800mg - 215 seeds

Lavender - 1g - 875 seeds

Lemon Balm - Mellissa Officinalis - 100mg - 180 seeds

Onion - Tokyo Long White Bunching - 1g - 295 seeds

Oregano - Italian - 200mg - 1850 seeds

Parsley - Italian Flat Leaf - 1g - 480 seeds

Parsley - Triple Curled - 1g - 450 seeds

Peppermint - 100mg - 1700 seeds

Rosemary - 100mg - 105 seeds

Sage - Broadleaf - 200mg - 25 seeds

Summer Savory - 250mg - 450 seeds

Thyme - Winter - 200mg - 1150 seeds

Wild Bergamot - Monarda Fistulosa - 150mg - 365 seeds

Yarrow - Western - 200mg - 1500 seeds

Perennial & Annual Wildflower Seed Kit (35 varieties):

Attract pollinators and create a stunning visual display with our perennial and annual wildflower seed kit. This collection of 35 wildflower varieties offers an assortment of vibrant colors, shapes, and sizes to create a breathtaking garden that supports biodiversity. These flowers not only improve the overall health of your garden but also add a touch of natural beauty to your surroundings.

Aster - Powder Puff - 800mg - 445 seeds

Baby's Breath - Annual - 300mg - 330 seeds

Bachelor Button - Polka Dot Mix - 500mg - 145 seeds

Black Eyed Susan - Rudbeckia Hirta - 500mg - 1400 seeds

Calendula - Pacific Beauty Mix - 800mg - 70 seeds

Calendula - Ball's Orange - 750mg - 85 seeds

Coleus - Rainbow Mix - 250mg - 1000 seeds

Columbine - Blue - 300mg - 285 seeds

Cornflower - Tall Mixed - 500mg - 110 seeds

Cosmos - Sensation Mix - 800mg - 140 seeds

Cosmos - Dazzler - 800mg - 90 seeds

Cosmos - Purity - 800mg - 130 seeds

Daisy - Painted - 500mg - 255 seeds

Foxglove - Digitalis Purpurea - 500mg - 5200 seeds

French Marigold - Sparkly Mix - 800mg - 280 seeds

Hollyhocks - Alcea - 600mg - 40 seeds

Hollyhocks - Single Mixed - 600mg - 65 seeds

Johnny Jump Up - Helen Mount - 1g - 1800 seeds

Marigold - Crackerjack - 800mg - 250 seeds

Nasturtium - Dwarf Jewel - 2g - 30 seeds

Pansy - Swiss Giant - 800mg - 675 seeds

Phlox - Annual Mixed - 400mg - 225 seeds

Phlox - Pastel Shades Mix - 400mg - 285 seeds

Poppy - Red Corn - 400mg - 3150 seeds

Poppy - California - 400mg - 280 seeds

Poppy - Iceland - 400mg - 3350 seeds

Shasta Daisy - Alaska - 500mg - 400 seeds

Sunflower - Giant Grey Striped - 8g - 90 seeds

Sunflower - Mammoth - 8g - 125 seeds

Sunflower - Chocolate Cherry - 2g - 75 seeds

Wild Bergamot - Mondara Fistulosa - 150mg - 365 seeds

Zinnia - Dahlia Flowered Mix - 800mg - 100 seeds

Zinnia - Thumbelina - 800mg - 170 seeds

Zinnia - Purple Prince - 800mg - 95 seeds

Zinnia - Envy - 800mg - 100 seeds

All seed counts are approximates. Substitutions may occur due to seed shortages.

Benefits of Heirloom, Non-Hybrid, Non-GMO Seeds

With heirloom, non-hybrid, non-GMO seeds, you’re not just planting a garden—you’re planting history. These seeds are naturally resilient, adapting well to various climates and soil types. Open-pollinated seeds allow you to experience natural reproduction, resulting in robust growth and consistent-quality plants. This pack is perfect for gardeners who value sustainability and enjoy saving seeds to grow again each year.

Why This Seed Pack Stands Out

Our 70-Variety Seed Pack stands out because of its quality, diversity, and commitment to purity. The heirloom seeds offer flavors, aromas, and beauty unmatched by hybrid varieties. Every pack is carefully curated to provide a well-rounded gardening experience, letting you create a landscape filled with beautiful blooms and delicious herbs.

This seed kit is also a fantastic choice for preppers, homesteaders, and anyone who wants a reliable, self-sustaining garden. The seeds are packed for long-term storage, so you can keep them on hand whenever you’re ready to plant.

With the 70-Variety Seed Pack, you’ll have everything you need to start your own beautiful, bountiful garden. Make your gardening dreams come true with this incredible collection, which is ideal for anyone who loves gardening, heirloom plants, and non-GMO varieties.

Get your variety seed assortment today and bring the beauty, flavor, and satisfaction of growing your own herbs and flowers into your home

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SKU: 83807300180

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4.2 ★★★★★
Based on 11 reviews
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L
Verified Purchase
Lana
Grantham, US
★★★★★ 5
Good
Good
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2026
D
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dra
Omaha, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
Lowell, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007
M
Verified Purchase
mojo_navigator
San Leandro, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
K
Verified Purchase
KEITH
Louisville, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025

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