SKU: 84070081551
philodendron painted

philodendron painted Philodendron 'Painted Lady' – Foliage Factory

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Description

philodendron painted Philodendron 'Painted Lady' – Foliage FactoryPhilodendron 'Painted Lady' Philodendron 'Painted Lady' is a climbing variegated Philodendron with bright juvenile colour, red toned stems and a steady upward habit. New leaves usually open in yellow green to lime shades with darker green flecking, then deepen as they mature while keeping a mottled two green pattern. The contrast between the warm petioles and fresh leaf colour is especially clear on fresh growth before the leaves settle into deeper

Philodendron 'Painted Lady'

Philodendron 'Painted Lady' is a climbing variegated Philodendron with bright juvenile colour, red-toned stems and a steady upward habit. New leaves usually open in yellow-green to lime shades with darker green flecking, then deepen as they mature while keeping a mottled two-green pattern. The contrast between the warm petioles and fresh leaf colour is especially clear on fresh growth before the leaves settle into deeper green tones.

This cultivar benefits from support as the stem lengthens. Aerial roots form at the nodes, and the leaves sit more neatly when the plant is trained on a moss pole, plank or trellis. In a pot without support, older stems may lean or trail, but the natural growth direction is upward.

Mottled new growth and red petioles

  • Stem habit: A lengthening climbing stem with visible nodes and aerial roots.
  • Leaf colour: Yellow-green new growth marked with darker green mottling.
  • Petioles: Pink to red stems and leaf stalks that stay visually important even as older leaves darken.
  • Training: A support helps the plant hold larger, better-spaced leaves indoors.

McColley breeding background and mature plant shape

Philodendron 'Painted Lady' comes from Robert H. McColley’s Orlando, Florida breeding work. Its breeding background is recorded in USPP3958, published on 19 October 1976, with the cross Philodendron 'Burgundy' × Philodendron 'Emerald Queen'. The patent describes yellow-green mottled new leaves, mature two-green foliage, bright red stems and petioles, climbing growth and a need for staking as the plant develops.

The cultivar brings together red stem colour, climbing behaviour and mottled green-yellow foliage. The colour balance can vary between plants and between leaves on the same stem, so a healthy specimen may show brighter juvenile growth followed by calmer mature leaves.

The climbing habit matters for indoor care. Leaves are held on petioles from a central stem, and each node can produce aerial roots when humidity, contact and support are available. Support gives the stem a clear direction and helps new leaves expand without the plant becoming stretched or unstable in the pot.

Care for supported Painted Lady growth

  • Light: Give bright, indirect light with protection from harsh midday sun. Pale leaf tissue can scorch quickly, while very dim conditions usually lead to smaller leaves and longer internodes.
  • Watering: Water thoroughly once the upper part of the substrate has dried. The roots need moisture followed by oxygen, so the pot should never stay constantly wet.
  • Substrate: Use an airy aroid mix with bark, coarse fibre, perlite or pumice and a moisture-retentive base. Dense potting soil can hold too much water around the roots.
  • Humidity: Average indoor humidity is usually tolerated, but steadier humidity helps new leaves unfurl cleanly. A humidifier, grouped plants or a vitrine can help in very dry conditions.
  • Temperature: Keep warm, ideally around 18–27°C. Cold, wet substrate is the main risk during cooler months.
  • Feeding: Feed lightly during active growth with a balanced fertiliser. Pale new leaves are normal for this cultivar, so do not treat every yellow-green leaf as a deficiency.
  • Pruning and support: Add a pole early if you want a vertical plant. Prune stretched stems above a node to shorten the vine and root cuttings when the plant is actively growing.

Problems to check on Philodendron 'Painted Lady'

  • Soft yellowing leaves: Check root moisture first. A heavy substrate, oversized pot or frequent watering can reduce oxygen around the roots.
  • Crisp pale patches: Move the plant away from direct sun or intense grow lights. Pale tissue marks more quickly than darker green tissue.
  • Small leaves and long gaps between nodes: Increase light gradually and give the stem support so the plant can climb instead of stretching sideways.
  • Stuck new leaves: Check humidity and airflow. Consistently dry air can make the cataphyll cling around new growth.
  • Distorted fresh growth: Inspect petioles, cataphylls and leaf backs for thrips, spider mites, mealybugs or scale.

Handling and pet safety

Philodendron 'Painted Lady' should be kept away from pets and small children. Like other Philodendron, it contains calcium oxalate crystals that can irritate the mouth, throat and digestive tract if chewed or swallowed. Sap may also irritate sensitive skin, so wash your hands after pruning or taking cuttings.

Name and McColley cultivar context

Philodendron belongs to the Araceae family. The genus name comes from Greek roots meaning “loving trees”, a reference to the climbing habit seen in many species. The cultivar name 'Painted Lady' refers to the mottled, brushed-looking colour pattern across the leaves.

Philodendron 'Painted Lady' combines red petioles, mottled yellow-green new growth and a documented McColley hybrid background.

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anonymous name
Omaha, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
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Reviewed in the United States on July 27, 2001
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L. D. Weimer
Phoenix, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
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Reviewed in the United States on April 4, 2015
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charles d barber
Draper, US
★★★★★ 4
Absolutely beautiful poetic translation occasionally marred by silly attempts at contemporary relevance
Format: Paperback
Poetry is something I seldom read, but the range of philosophical and religious reflection in Hafiz' writing is amazing, delightful, and life-affirming. Not every poem is equally rewarding, but how could they be? The translations make these ancient short poems speak to the present day, but sometimes too much so--using terms that have only come into our language in the 20th or 21st centuries at times borders on "cutsie", which distracts from the true meaning. When Ladinsky sticks to standard and time-tested language and grammar, his translations have much deeper impact, for me anyway. I have not read other translations of Hafiz, but I imagine previous ones are full of "thee's" and "thou's", and less erudite perspectives. I highly recommend this book--for me is has more understanding and depth concerning daily living than Rumi, for instance. Just beware that there are some shockingly off-the-mark, if sincere, attempts to make this ancient poetry relevant to us now. Ladinsky apparently spent years working on this book, so my hat is off to his scholarship.
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Reviewed in the United States on April 16, 2017
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Farinaz Parsay
Louisville, US
★★★★★ 5
I love The Gift of Hafiz by Daniel Landinsky I am ...
Format: Paperback
I love The Gift of Hafiz by Daniel Landinsky I am Persian and I love the poetry of Hafiz but the book Gift is the first book I read in English language translated by Daniel Ladinsky. As a Persian who is born and raised knowing the poetry of Hafiz by heart and in their original tongue, I really enjoyed reading the book and appreciated the interpretations and translation. Daniel Ladinsky is an American poet known as interpreter of mystical poetry born and raised in Saint Louise. He has said “the poet who I have worked most with is the 14th century Persian poet Hafiz. And Goethe has said, Hafiz has no peer. And I think Goethe knew what he was talking about”. Daniel Ladinsky has written many other books about Hafiz which are unique and many have come to know about this great Persian Master more glorious in the English language. In a rare interview on October 2013 with the Sun Magazine, Daniel Ladinsky shares about his spiritual longing, his encounter with a living saint in India who inspired him to work on Hafiz. In his preface of “The Gift” he invites us to join him in his fantastic applause of life and says “I vote to inscribe these words of Hafiz on every flag, church bell, temple, mosque, and politician’s brain: Dear ones, let’s anoint this earth with dance! I recommend the book "Gift" to everyone who enjoys poetry.
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Reviewed in the United States on June 11, 2016
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Miranda
New York, US
★★★★★ 5
Do God a favor
Thanks to ladinsky for making the essence of Hafiz accessible to the English reader. For a select some, the purpose of Hafiz's poems is the supernal transportation that takes place in the heart, mind and soul of the seeker. A simple reader of Hafiz may appreciate a more mundane rendition; but a Lover comes to Hafiz to be lost in his drunkenness. ladinsky's interpretations above and outside of translations renders the Realm for the English reader. For hearts seeking higher service to the Friend this indeed is all that matters and yes, our hearts do joy at the criticism of those who yet court the kiss of the King for they are still engaged in the evolution back into essence and oh how the heart does dance at the thought of these. Wayfarer, do God, the "field of holiness" and all creation a favor, purchase this friend's every interpretation of Hafiz and devotionally devour massive morsels until the Final Friend causes YOU to spit out spontaneous sputterings of His own. But don't hurry or worry, for the process may take months or millennia but eventually all will evolve back home to Him. In joy enjoy in-Joy. Dear one read through that last line again, breathe through that last line again. It is far far deeper than most know.
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Reviewed in the United States on October 10, 2021

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