SKU: 84186096154
where to buy a fiddle leaf fig near me

where to buy a fiddle leaf fig near me Shop for Fiddle Leaf Fig on PlantingTree.com

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Description

where to buy a fiddle leaf fig near me Shop for Fiddle Leaf Fig on PlantingTree.comIntroduction Add a Fiddle Leaf Fig and Transform Your Indoor Space! Beautiful houseplant with loads of character Stunning indoor tropical plant Large shiny leaves with a unique shape This plant cleans your air! Easy to grow (read our care tips below) Description The gorgeous Fiddle Leaf Fig is a popular indoor plant. It adds lovely texture and lively beauty to a room. With its tall, but lush habit this houseplant makes a statement. The Fiddle leaf fig

Introduction

Add a Fiddle Leaf Fig and Transform Your Indoor Space!

  • Beautiful houseplant with loads of character
  • Stunning indoor tropical plant
  • Large shiny leaves with a unique shape
  • This plant cleans your air!
  • Easy to grow (read our care tips below)

Description

The gorgeous Fiddle Leaf Fig is a popular indoor plant. It adds lovely texture and lively beauty to a room. With its tall, but lush habit this houseplant makes a statement. The Fiddle leaf fig is named for its fiddle-shaped leaves that are shiny and bold. The foliage is definitely the most prominent feature of this truly attractive houseplant.

Key Features

  • A great look for any home. This amazing houseplant can quite literally transform a room.
  • Add color, texture, and life to your home. The fiddle leaf fig adds so much umph to your living space.
  • Air purifying. Plants clean the air. The large leaves of this plant are great filters for air purification and detoxification. They also absorb carbon dioxide and release oxygen.
  • Low maintenance. Following a few basic tips will keep your fiddle leaf fig happy and healthy.

This in demand item won’t last long! Brighten your living space and clean your air! Order a fiddle leaf fig for sale today!

How to Care

Fiddle leaf figs are easy to grow, but there are some things to consider when bringing this plant in your home.

You need a spot with bright, but indirect light. This means you want this plant in a sunny room, but not right at the direct line of sunlight. So, close to a window or glass door, but not right in front of them if the sun shines directly into them.

For even growth rotate your plant every so often to keep the growth symmetrical rather than growing toward the sun. Some sources say every couple weeks and others say every 6 months. We recommend about once a month to begin with, but you can certainly observe your own plant to determine what is best for it in your specific location.

Avoid putting the fiddle leaf fig plant close to drafts of any kind. This includes drafts from a window, door, or vent.

Don’t forget to water, but don’t overwater either. This plant likes good drainage and is fairly drought tolerant. So the best way to water this plant is by watering deeply when the soil is dry. This will vary, so just monitor the moisture level by putting your finger into the soil about 2 inches or so. If it is dry go ahead and water thoroughly. Do not allow water to sit if you use a saucer.

Humidity is important. Since this is a tropical plant it likes humidity. The average humidity in a home will most likely be fine except for in winter when heat dries the air. We recommend misting your fiddle leaf fig daily in winter to keep the surrounding humidity up.

Dusty leaves. If the leaves of your houseplant become dusty or have water spots, simply wipe them off with a wet cloth. This keeps your plant happy and healthy and looking beautiful.

Potted plants do need fed more often than in ground plants. Feed your plant 2 or 3 times per year with our slow release fertilizer. This keeps your plant healthy, nourished, green, and growing.

Fiddle leaf figs do not require pruning, but spring is a good time especially if you want to shape your bush into a tree.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 84186096154

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Marcella
New York, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
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Sarah Pettingill
Whiting, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Alexandria, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Carnegie, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Carnegie, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016

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