SKU: 84893404392
large outdoor plant pots near me

large outdoor plant pots near me H Potter Planter with Round Top

$26.52 $29.47
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Description

large outdoor plant pots near me H Potter Planter with Round TopHANDCRAFTED TALL DECORATIVE PLANTER Stainless steel, hand hammered, with antique copper finish and clear coat lacquer. Each planter is unique, no two are alike. This indoor outdoor garden planter is solid and durable, yet light weight to move easily. Purchase a pair to grace your entryway and connect with the outdoors or place outdoors on your patio, deck, or outdoor room. This home dcor accent is designed to add character to your living space,

  • HANDCRAFTED – TALL DECORATIVE PLANTER

     – Stainless steel, hand-hammered, with antique copper finish and clear-coat lacquer. Each planter is unique, no two are alike. This indoor outdoor garden planter is solid and durable, yet light weight to move easily. Purchase a pair to grace your entryway and connect with the outdoors or place outdoors on your patio, deck, or outdoor room. This home décor accent is designed to add character to your living space, indoors or out. Read our blog for more about vertical gardening 

  • INDOOR OUTDOOR DECOR

     - At 27 inches tall 14 inches wide at the top, copper finish interplays with the environment as only rich coppery tones can this planter garden box will make an eye-catching conversation piece wherever it’s placed and it fits in nearly any location. Sold as a single garden planter, beautiful displayed in multiples. Unique and sturdy, if you’re looking for something memorable, this planter would make a perfect wedding decoration or birthday gift idea.

  • VERTICAL PLANTER

     - Comes with a custom planter insert with drainage holes, that can be removed for easy planting and care. Visit the H Potter blog to read more about planting in tall planters 

  • QUALITY BY H POTTER

    - H Potter has been designing and manufacturing premium quality garden products for over 25 years. We do not pretend to be the cheapest, but you get what you pay for. Packaged well, with stunning craftsmanship and backed by great customer service, we’re proud to say our garden products are built to last.

  • HEAVY AND DURABLE CONSTRUCTION

     – Solid construction yet light weight to move easily. You might choose to fill the base of the planter with rocks, bricks, or something heavy for extra stability. At the base of the planter you will find a drainage hole and grate. This feature allows you to fill the base with rocks for stability while still allowing for ample drainage. If you choose to use indoors, simply cover the grate with a water catching receptacle of your choice or consider adding our newly designed, custom drip tray option above. H Potter offers a variety of options for planters with trellis as well. 
FAQ

Does H Potter do custom work? 

Custom work is not available. Items are only available in the sizes, finishes and colors shown on our website.

Where are H Potter products made? 

H Potter items are manufactured at our partnered factory in India. Glass terrariums are handcrafted in India and China.

Does H Potter offer discounts? 

H Potter does not offer discounts, but we do offer fast, free shipping and exceptional customer service.

Can H Potter provide detailed information about warehouse deals? 

We do not have specific pictures or information regarding each individual warehouse deal item. Warehouse deals are typically customer returns or photo shoot items. We inspect items upon their return to make sure glass is not broken, items have not been used or major components are not missing, this said, items could have dents or dings, hardware may be missing, outer boxes may show wear and tear. It is not feasible to provide specific photos detailing the issues as each individual item would need its own sku identification.

Does H Potter ship outside of the United States? 

Currently, H Potter is not offering shipping outside the lower 48.

Does H Potter offer replacement parts? 

H Potter does not keep an inventory of replacement parts. If an item arrives and a small part is damaged, please contact us for solutions.

Does H Potter offer replacement glass? 

H Potter does offer replacement glass for lanterns and torches. Please contact H Potter via text at 208-640-4206 if replacement glass items are showing out of stock. When ordering replacement glass for lanterns please note the lantern SKU for which you are requesting the replacement glass

What is H Potter’s return policy? 

Customers are responsible for return shipping, here's our policy.

Materials & Care 

H Potter planters are made with stainless steel. To create the antique copper finish, first the planters are electroplated with a copper finish, next we apply a hand-rubbed antique finish and the final step is an application of a high grade clear-coat protective sealer. To add a bit of extra protection to the finish, you might choose to apply a coat or two of clear spray paint annually to the inside and outside of the planter. This can be purchased in a spray can at a hardware type store. You might also choose to apply this protective covering before first use.

Your water may contain minerals, chlorine and/or fluoride which may by unfriendly to the finish on the planter. H Potter planters are not designed to be used as fountains. Water spilling over the sides of the planter may affect the finish of the planter and/or may cause water stains or water spots. Additives in the soil used might also contain chemicals which when over-watered may spill over the sides and run down the planter potentially affecting the finish.  Water sitting in the drainage tray may also affect the finish of the tray.

We choose to clean our planters with a soft, non-abrasive cloth along with water and a small amount of mild dish soap.

If you are using the planter outdoors, you might consider inside storage during the winter based on the weather conditions in your area.
Measurements other images
27 inches tall 14 inches wide at the top
                                                                                             
 
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 84893404392

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Amanda Becker
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Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!! A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
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Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
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Tammy Marshall
Grantham, US
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
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John P. Jones III
Waukegan, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Chelsea, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002

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