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dragon tail pothos

dragon tail pothos Albo Pothos Epipremnum pinnatum 'Variegata Pothos Cutting or Starter – Rooting 4 Joy

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Description

dragon tail pothos Albo Pothos Epipremnum pinnatum 'Variegata Pothos Cutting or Starter – Rooting 4 JoyAlbo Pothos Epipremnum pinnatum 'Variegata' Plant Info & Care Guide Botanical Name: Epipremnum pinnatum VariegataCommon Names: Variegated Pothos, Epipremnum pinnatum Albo Variegata, Pinnatum AlboFamily: AraceaeType: Rare tropical climbing aroidOrigin: Southeast Asia (cultivar form) Overview Epipremnum pinnatum 'Variegata' is a stunning and rare pothos variety known for its splashed and marbled white variegation on long, elegant green leaves. As the

🌿Albo Pothos  Epipremnum pinnatum 'Variegata' – Plant Info & Care Guide

Botanical Name: Epipremnum pinnatum ‘Variegata’
Common Names: Variegated Pothos, Epipremnum pinnatum Albo Variegata, Pinnatum Albo
Family: Araceae
Type: Rare tropical climbing aroid
Origin: Southeast Asia (cultivar form)

✨ Overview

Epipremnum pinnatum 'Variegata' is a stunning and rare pothos variety known for its splashed and marbled white variegation on long, elegant green leaves. As the plant matures, the leaves develop fenestrations—natural slits that give it an exotic, tropical appearance.

This plant is prized by collectors and aroid enthusiasts for its unique foliage, climbing habit, and relatively fast growth when given proper care. Because of its striking appearance and rarity, it’s often considered a collector’s plant.

💡 Light Requirements

Prefers bright, indirect light to maintain bold variegation

Can tolerate medium light, but with reduced variegation

Avoid direct sunlight, which can scorch the delicate white areas

💧 Watering

Water when the top 1–2 inches of soil feel dry

Ensure well-draining soil to prevent root rot

Less frequent watering needed in cooler months

🌡️ Temperature & Humidity

Thrives in 65–85°F (18–29°C)

Avoid temperatures below 55°F (13°C)

Loves moderate to high humidity (50%+) for best growth and fenestration

🌱 Soil & Potting

Use a chunky, well-draining aroid mix (soil + perlite + orchid bark or coco chips)

Repot every 1–2 years or when root-bound

🍃 Fertilizing

Fertilize monthly in spring and summer with a balanced or nitrogen-rich fertilizer

Cut back in fall and winter when growth slows

✂️ Pruning & Training

Prune to manage size or remove reverted (non-variegated) growth

Grows best when allowed to climb a moss pole or trellis

Trailing plants tend to stay smaller and less fenestrated

🌿 Propagation

Propagates easily via stem cuttings in water, moss, or soil

Each cutting must include at least one healthy node

Variegated cuttings may root slower but are generally reliable

❗ Common Issues

Reverted leaves: Cut back to variegated growth

Browning on white areas: Normal, as variegation lacks chlorophyll and is more delicate

Slow growth: Normal with heavily variegated plants due to less chlorophyll

🧡 Why You'll Love It

Dramatic white and green marbled leaves with potential for deep fenestrations

A statement piece in any indoor plant collection

Rare, collectible, and highly rewarding for those who love unique tropical plants

Easy to propagate and train into a show-stopping climber

 

Node Stem Cutting or Small Rooted Starter Plant 

Each plant cutting you receive will include one node and one leaf maybe more. All cuttings are freshly cut with a stem and node to help with propagation. The node is the point where the leaf attaches to the stem, and it will often look like a small "bump" on plants like pothos, monstera, or philodendron. Keep in mind, aerial roots may or may not be present at the time of clipping so you might not notice the node but each cutting will have at least one node and one leaf ready for water or soil propagation!

‼️ Important Information – Please Read Can Be Helpful

After placing your order, be sure to read the note included from me for helpful tips and tricks on propagating your new plant cutting!

🌱 Shipping & Plant Health:
While it's uncommon, cuttings can occasionally be affected during shipping. If you notice any issues with your order, please contact me within 48 hours of delivery so I can offer a refund, replacement, or coupon—whichever works best for you!

It's normal for cuttings to show some signs of stress from transit, such as wilting, yellowing, or slight browning. This doesn’t necessarily mean the cutting isn’t viable—the node is the most important part, and it’s often still healthy and ready to grow.

💬 Please reach out before leaving a review if anything seems off—I want you to be happy with your order and will do my best to make it right!

🌡️ Cold Weather Shipping:
If temperatures in your area are expected to drop below 50°F (10°C), I strongly recommend adding a heat pack to your order. You can find one in the shop or add it during checkout as a shipping upgrade. This helps protect your plant during transit and reduces the chance of cold-related damage.

📦 Shipping Options:
All orders are shipped via USPS Standard Shipping. If you need your order to arrive sooner, please choose Priority Shipping at checkout.

🌤️ Weather & Delivery Disclaimer:
Please keep an eye on your local weather, as I can’t control delays, weather-related damage, or errors caused by USPS. If you're concerned about delivery, I recommend contacting USPS directly—but I’m always here to help however I can!

Thank you so much for supporting my small shop! 💚

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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J
JeFF Stumpo
Carnegie, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Louisville, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Fort Morgan, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Lexington, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Natrona Heights, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017

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