SKU: 86923248730
oversized indoor plant pots

oversized indoor plant pots Rustic Multi-Color Cement Round Planter for Indoor/Outdoor

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Description

oversized indoor plant pots Rustic Multi-Color Cement Round Planter for Indoor/OutdoorExploring the Rustic Multi Color Cement Round Planter Introducing the stunning Rustic Multi Color Cement Round Planter Pot, featuring a textured, gray base with a green flecks distressed for an old world charm. Each of these round planters is meticulously crafted from natural cement by skilled artisans, resulting in a unique color and texture for every piece. Constructed from high quality cement, this planter is not only beautiful but also incredibly

Exploring the Rustic Multi-Color Cement Round Planter

Introducing the stunning Rustic Multi-Color Cement Round Planter Pot, featuring a textured, gray base with a green flecks distressed for an old-world charm. Each of these round planters is meticulously crafted from natural cement by skilled artisans, resulting in a unique color and texture for every piece. Constructed from high-quality cement, this planter is not only beautiful but also incredibly durable. With ample space for a variety of plants, this gorgeous planter is thoughtfully designed with a drainage hole at the bottom to ensure healthy root growth. The multicolored rustic cement planter boasts distinctive hues and textures, making it a beautiful focal point in any garden or living room corner.

Stylish Design for Any Setting

The Rustic Multi-Color Cement 18.3-Inch Round Planter not only serves a practical purpose but also enhances your decor. With its unique finishing and earthy tones, this planter is ideal for both indoor and outdoor settings. You can place it in a living room corner or in your garden, and it complements any style. Its round shape and multi-color design also allow it to integrate seamlessly into various themes, making it a versatile addition to your home.

Durability and Weather Resistance

This cement round planter is crafted to withstand various weather conditions, so you don't have to worry about it fading or cracking in the sun or rain. The sturdy construction ensures it can handle the weight of soil and plants, while providing stability against wind. Therefore, it is a reliable option for outdoor use, and because of its rustic look, it will continue to add charm regardless of the circumstances.

Perfect for Various Plant Types

Whether you prefer vibrant flowers or lush greenery, this cement round planter accommodates a variety of plants. Its spacious interior allows for good root growth, and the drainage holes at the bottom help prevent overwatering—something many plant enthusiasts appreciate. Because of its size and shape, it is perfect for both small and large plants, allowing you to showcase your favorites in a beautiful and practical way.


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SKU: 86923248730

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4.8 ★★★★★
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Trendy Chic
Port Orchard, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
San Leandro, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Verified Purchase
T
Carnegie, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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Verified Purchase
AMD
Alexandria, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Pawtucket, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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