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Description
how to remove uppababy car seat from base UPPAbaby MESA V2 Infant Car SeatMESA v2. See how simple. UPPAbaby designed the MESA with intuitive innovations you can see and features that remove the guesswork. The MESA maximizes ease to minimize error, which allows parents to move forward with confidence and security. Suitable 4 35 lbs and up to 32 in height MESA Safety SMARTSecureTM system: Make installation quick and simple by combining our innovative SMARTSecure system, auto retracting LATCH design, red to green tightness
MESA v2. See how simple.
UPPAbaby designed the MESA with intuitive innovations you can see and features that remove the guesswork. The MESA maximizes ease to minimize error, which allows parents to move forward with confidence and security.
Suitable 4-35 lbs and up to 32″ in height
MESA Safety
- SMARTSecureTM system: Make installation quick and simple by combining our innovative SMARTSecure® system, auto-retracting LATCH design, red to green tightness indicator, and four-position adjustable foot.
- Tightness indicator: It’s as easy as red to green. When the tightness indicator turns green, it provides confirmation that the seat is installed correctly whether using LATCH or belt.
- Auto-retracting LATCH: Unlike traditional LATCH connectors, MESA’s unique retracting LATCH system tightens effortlessly, minimizing installation error.
- Protection from all sides: The adjustable headrest is reinforced with EPP foam to help absorb energy while the integrated design of our Side Impact Protection keeps baby’s head protected during a collision. Additionally, the 4th rebound carry handle position allows for increased safety and aids in absorbing rebound forces.
- Optimized for preemies 4 lbs+: The removable infant insert is designed to provide better fit and body positioning for babies approximately 4 – 11 lbs.
- European Routing: European Routing provides a safe and secure carrier-only installation when the use of a base isn’t convenient. The belt path easily secures the carrier at three points of contact to reduce movement.
MESA Convenience
- Fire retardant free fabrics: The MESA V2 is made with fabric that is free from fire retardant chemicals for all fashions and textiles, including the large UPF 25+ hideaway canopy. It is also GREENGUARD® GOLD Certified to support healthier air quality and low chemical emissions.
- Buckle up with confidence: The simple one-crotch buckle position and no-rethread, adjustable harness makes buckling up a breeze.
- Performance travel system: For the ultimate in portability and safety, MESA V2 directly attaches to both the VISTA® and CRUZ® strollers. It is even compatible with the MINU® and RIDGE® with the addition of convenient adapters. This creates a stylish and simple solution that goes from drive to stroll (and back again).
- Expandable options: Whether you’re having twins or this is your second or third time around, the MESA paired with the VISTA can accommodate your growing family.
- Quick release button: A quick press of the button on the top of the carrier handle releases it from the frame so you can go from stroller to car in one seamless motion. Additionally, the convenient, reversible option allows baby to face you while strolling, or you can turn the carrier to pull right up to a table for mealtime.
- No-rethread harness: As your infant grows, the MESA infant car seat adapts. MESA’s unique no-rethread five-point harness is adjustable from the front, allowing for proper fitting in just seconds.
- Removable and washable fabric and canopy: It’s a fact of life -- babies dribble and drool. MESA's seat fabric and canopy fabric is easily removable for cleanup without the need to disassemble the harness.
- Hideaway canopy with SPF 25+: The extra-large integrated, extendable canopy provides more protection outside and conveniently tucks away when not in use.
- Level indicators on both sides of base: Whether you are installing from the left or right side of the car, level indicators confirm that your seat is properly leveled.
- Finished base bottom: Smooth, finished base bottom minimizes indents and eliminates the need for a seat protector.
Specifications
- Suitable 4-35 lbs and up to 32″ in height, whichever comes first
- Infant insert with wedge recommended for preemies and smaller newborns 4-11 lbs.
Dimensions
- Infant Car Seat: 17”W x 25.8”L x 23”H
- Car Seat on Base: 17”W x 28”L x 25”H
- Base: 14.5”W x 21.3” L x 10.3” H
- Carrier weight: 9.9 lbs
- Base weight: 9 lbs
Includes
Infant car seat, car seat base and infant insert (for use with children 4-11 lbs)Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.9 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023