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Description
comparing britax convertible car seats Britax Poplar™ S Convertible Car SeatReady to go with room to grow! The Poplar S convertible car seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight installation and slim SpaceSaver design. This convertible car seat accommodates up to 50 lbs when installed rear facing, allowing your child to ride rear facing longer. It easily switches to a forward facing car seat as your child grows, accommodating up to 65 lbs. ClickTight technology provides
Ready to go with room to grow! The Poplar™ S convertible car seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight® installation and slim SpaceSaver™ design. This convertible car seat accommodates up to 50 lbs when installed rear-facing, allowing your child to ride rear-facing longer. It easily switches to a forward-facing car seat as your child grows, accommodating up to 65 lbs. ClickTight technology provides fully open seat belt paths that are clearly labeled and easy to access, and the automatic tensioner takes care of the tightening. This baby car seat lets you easily adjust the 14-position no-rethread harness and headrest to help create the perfect fit. The removable infant insert helps to properly position infants 22 lbs and under. There are 2 additional premium inserts that help create refined comfort and a tailored fit. The ReboundReduce™ stability bar easily attaches to the car seat when installed rear-facing, helping to minimize movement in the event of a crash. Slim outside and spacious inside, this convertible car seat features 17-inch SpaceSaver™ technology designed to fit 3-across* without compromising on trusted Britax safety and premium comfort. The rear-facing car seat includes a patented SafeCell® crumple zone and a V-shaped top tether to help manage crash energy. Carbon steel frame and belt paths provide strength and stability. The car seat cover fabrics are naturally flame-retardant with no added FR chemicals, and they’re safe to machine wash and dry time and again. *Britax cannot guarantee 3-across installation fitment in all vehicles.
- Convertible Design: Works as a rear-facing car seat with the infant insert and converts to a forward-facing car seat as your child grows
- Fit: Rear-facing 5-50 lbs; Forward-facing 22-65 lbs
- ClickTight® Installation: With ClickTight, you know it’s right in just 3 easy steps: open, thread and buckle, click it closed
- ReboundReduce™ Stability Bar: Carbon steel bar easily attaches to the car seat when installed rear-facing to minimize the movement in the event of a crash; must be removed when installed forward-facing
- SpaceSaver™ Design: Slim 17" seat is designed to fit 3-across without compromising on trusted Britax safety and premium comfort. *Britax cannot guarantee 3-across installation fitment in all vehicles
- Infant Insert: Specifically helps to properly position newborns 22 lbs and under
- 5-Point Safety Harness: Helps evenly distribute crash energy to keep your child safe
- Patented V-Shaped Top Tether: Has 2 connection points to help slow and reduce forward movement in a crash; easily stores away when not in use
- Easy-Read Level Indicators: The 6-position and quick-adjust recline helps you find the most comfortable fit for your child and the best fit for your vehicle
- Naturally Flame-Retardant Fabrics: With no added FR chemicals
- SafeCell® Technology: Acts as a crumple zone, helping to keep crash energy away from your child
- Easy-Adjust Harness: The 14-position no-rethread harness and headrest move to help create the perfect fit
- Carbon Steel Frame: Reinforces the seat structure to help keep it sturdy and stabilized
- Flip-Forward Buckle Pad: Stays out of the way for easy boarding
- Washer and Dryer-Friendly: No more hand-washing or waiting for the cover to air-dry; just quick and easy cleanup, so you can keep moving
- Dishwasher-Safe Cup Holders: The 2 cup holders slide in and out for easy cleaning between rides
Specifications
- Product Dimensions: 20.5" x 17" x 23.5"
- Child Weight: 5-65 lbs
- Rear-facing Harnessed Weight: 5-50 lbs
- Forward-facing Harnessed Weight: 20-65 lbs
- Seat Area Depth/Width: 11" / 12"
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4.6 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025