SKU: 92090716917
uppababy remi travel crib and playard 2022

uppababy remi travel crib and playard 2022 UPPAbaby Remi Travel Playard, Jake/Charcoal

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Description

uppababy remi travel crib and playard 2022 UPPAbaby Remi Travel Playard, Jake/CharcoalThe UPPAbaby Remi Travel Crib and Playard offers a versatile 3 in 1 solution, functioning as a bedside bassinet, portable playard, and travel crib to adapt to your babys growing needs. Suitable for newborns to toddlers, it features a breathable perforated air mesh mattress for improved airflow and a lightweight frame for quick and easy setup or breakdown. Designed for both overnight sleep and daytime play, the Remi ensures a safe environment backed by

The UPPAbaby Remi Travel Crib and Playard offers a versatile 3-in-1 solution, functioning as a bedside bassinet, portable playard, and travel crib to adapt to your baby’s growing needs. Suitable for newborns to toddlers, it features a breathable perforated air mesh mattress for improved airflow and a lightweight frame for quick and easy setup or breakdown. Designed for both overnight sleep and daytime play, the Remi ensures a safe environment backed by its GREENGUARD® Gold and JPMA certifications.

This thoughtfully designed playard includes practical features like an organic cotton mattress cover for added comfort and a zip-open soothing panel for effortless access to your baby. Its compact fold and included storage bag make it ideal for travel, while the elevated, draft-proof design keeps your baby cozy and secure in any setting. Mattress pad is machine washable, panels can be wiped clean, and playard/bassinet fabric requires spot cleaning.

UPPAbaby® was founded by parents who know firsthand the demands of modern parenting, and its mission is to redefine baby gear with a perfect blend of style, functionality, and quality. Since 2006, UPPAbaby have been committed to creating innovative, high-performance products that not only meet but exceed the needs of families, inspired by its own journey and the invaluable feedback from its ever-growing community of parents.

UPPAbaby Remi Travel Crib and Playard Features:

  • 3-in-1 Versatility: Functions as a bedside bassinet, portable playard, and travel crib, adapting to your baby's needs from infancy to toddlerhood.

  • Breathable Air Mesh Mattress: Triple-layer, temperature-regulated mattress improves breathability and airflow, ensuring your child sleeps soundly.

  • Lightweight and Portable Design: Weighing only 20 lbs, the Remi folds flat for effortless storage and travel. Includes a compact storage bag for easy transport.

  • Quick Setup and Breakdown: Set up and collapse the playard in seconds with one-hand operation, saving time and hassle during busy days.

  • Enhanced Safety Standards: Certified by GREENGUARD® Gold and JPMA for healthier air quality and superior safety, offering peace of mind for parents.

  • Zip-Open Soothing Panel: The convenient zip panel allows quick access to your baby for soothing or playtime without disrupting their comfort.

  • Organic Mattress Cover: The included organic cotton mattress cover adds a layer of softness and breathability for a more comfortable sleep environment.

  • All-Angle Visibility: The open, airy design allows unobstructed views of your baby from every angle, providing peace of mind during naps or playtime.

  • Draft-Proof Elevated Design: The above-ground structure keeps your baby protected from floor drafts, ensuring a cozy and comfortable environment in any room.

  • Newborn-Friendly Bassinet: The zip-on mesh bassinet offers a ventilated, elevated sleeping solution for infants up to 20 lbs, creating a safe and snug resting space.

  • Care Instructions: Mattress pad is machine washable, panels can be wiped clean, and playard/bassinet fabric requires spot cleaning.

  • Accessories for Customization: Compatible with optional accessories like the Changing Station, Canopy, waterproof mattress cover, and Organizer, (all sold separately) enabling parents to tailor the Remi for various needs and environments.

See the Entire UPPAbaby Collection

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SKU: 92090716917

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4.3 ★★★★★
Based on 15 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Los Angeles, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Louisville, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Waukegan, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Bozeman, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Whiting, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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