SKU: 93650607396
california elephant ears plant

california elephant ears plant Alocasia odora 'California'

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Description

california elephant ears plant Alocasia odora 'California'Alocasia odora California Alocasia odora California is a compact green elephant ear Alocasia with broad upright leaves, softly waved margins and prominent sunken veins. It has the broad green leaves typical of Alocasia odora, but stays smaller than many giant elephant ear types. Established plants often produce offsets, so a single plant can gradually form a fuller pot. The leaves are smooth green, broad and slightly oval, with softly wavy to slightly

Alocasia odora ‘California’

Alocasia odora ‘California’ is a compact green elephant-ear Alocasia with broad upright leaves, softly waved margins and prominent sunken veins. It has the broad green leaves typical of Alocasia odora, but stays smaller than many giant elephant-ear types. Established plants often produce offsets, so a single plant can gradually form a fuller pot.

The leaves are smooth green, broad and slightly oval, with softly wavy to slightly uneven margins. The midrib and primary veins are prominent and set into the leaf surface. Compared with Alocasia macrorrhizos, this plant stays more compact and has a more oval leaf shape.

Alocasia odora has a broad Asian range, from eastern India through parts of mainland and island Asia to southern Japan and Borneo. This plant has often been sold as Alocasia gageana, but Alocasia odora ‘California’ is now the better name for it.

The accepted species name, Alocasia odora (G.Lodd.) Spach, was published in 1846. The epithet odora refers to fragrance, linked with the scented flower structures of the species. ‘California’ is a cultivated name and does not mean the plant comes from California.

This plant grows larger and uses more water than small jewel Alocasia types, so it needs a steadier water supply and a more stable pot. It can work as a bright indoor floor plant, conservatory plant or sheltered warm-season outdoor plant after acclimation. It grows well indoors with bright light, root space and a stable container as the leaves increase in size.

Care

  • Light for broad green leaves: Give bright indirect light. It can take gentle morning or late-day sun after acclimation, but avoid harsh midday sun behind glass.
  • Watering a larger pot plant: Water when the top layer or upper 20–30% of the mix has dried. Large active plants should be watered before the whole pot dries completely.
  • Cooler periods: Reduce watering when light and temperature drop. This plant is more cool-tolerant than many tender Alocasia, but a cool wet pot can still damage the base.
  • Fertile open mix: Use a fertile but airy mix with bark, coco chips, perlite or pumice and a moisture-holding component.
  • Stable container: Use a pot that balances the leaf weight. Increase pot size gradually as roots fill the space.
  • Temperature range: Active growth is best around 18–30 °C. Keep cooler plants drier rather than wet and cold.
  • Moderate humidity: Average indoor humidity is usually fine when light, warmth and watering are steady.
  • Steady feeding: Feed regularly but moderately during active growth. Reduce feeding when growth slows.
  • Gradual repotting: Repot when roots fill the container or the mix breaks down. Move up gradually instead of placing it straight into a very large pot.
  • Offset division: Divide rooted offsets or firm rhizome sections only when each piece has roots and a clear growing point.
  • Warm-season outdoor use: If used outdoors in warm weather, acclimate gradually and bring it back inside before cool wet periods.

Issues

  • Soft lower stems or base: Usually cold wet substrate, oversized pots or poor drainage. Check roots before the base collapses.
  • Large leaves drooping: Can come from underwatering, root loss, sudden temperature shifts or an unstable pot.
  • Lower leaves yellowing: One ageing leaf is normal. Several yellow leaves at once usually point to root stress, low light or a wet pot.
  • Brown margins: Drying too far, fertiliser salts, hard water or low humidity during leaf expansion can mark the edges.
  • Small new leaves: Often caused by weak light, depleted substrate, restricted roots or recent division.
  • Leaning growth: Large leaves can pull the plant toward the light. Rotate the pot occasionally and use a heavier container as the plant grows.
  • Crowded offsets: Offsets can make watering uneven when the pot becomes packed. Separate them only once they have roots.
  • Mites and thrips: Spider mites and thrips can settle on undersides and new leaves, especially in warm dry indoor air.

Safety

Alocasia odora ‘California’ contains calcium oxalate crystals, so plant material can irritate the mouth, throat and stomach if ingested. Keep it out of reach of pets and children, and wash hands after pruning or dividing offsets.

A stable pot, bright light and steady moisture help this compact elephant-ear form grow broad green leaves.

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evelyn
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★★★★★ 5
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Reviewed in the United States on May 22, 2026
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Great lozenge! Tastes very good.
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Very effective and tastes good. I will continue using it after my chemo treatment is finished.
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Reviewed in the United States on May 1, 2026
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Shop Queen
San Leandro, US
★★★★★ 3
Dry mouth is miserable.
Size: 27 Count (Pack of 1)
The mouth lozenges for dry mouth were excellent at first, but I have dry mouth all day, and they started upsetting my stomach. I guess I was taking too many. Since I switched to the spry, I don't have a problem. I keep the a small bottle of the spray in my pocketbook, because I need it sporadically. It is probably different with each individual.
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Reviewed in the United States on April 11, 2026
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Rusky
Dallas, US
★★★★★ 5
Well researched, solidly faithful; undoes the harm of decades of scholars' attempts to debunk the Gospels
Format: Hardcover
Lots of reviewers have written great reviews, so this one will be fairly brief. Brant Pitre's books, this one included, are an example of what is best in the new scriptural studies emerging today. His research is solid and meticulous - no sloppiness here! - and he writes with a refreshingly strong Catholic faith. This book carefully and effectively undoes the harm of decades of scholars' attempts to debunk the Gospels. He very effectively rebuts 20th century scholars' claims that we don't know who wrote the Gospels, and that they were written so long time after Jesus' time on earth that they lack credibility as eyewitness, historical accounts. Step by step, with each chapter building on the next, Pitre shows the opposite to be true. Christians who have been disturbed by the debunkers will be strengthened, confirmed, and given much joy by this book. I've just purchased three more copies to give to friends - one of them a Catholic high school teacher and two, Catholic priests. But I think Christians of any denomination will welcome this book. Pitre's writing style is a joy to read: lucid, clear, and very easy to understand (even when I'm tired at the end of the day), without being annoyingly clever (as some popularizers can be) or pushy (as some apologists are). (I see Pitre as neither a popularizer nor an apologist; he is a scripture scholar who also is a fantastic communicator.) Without any attempt on his part to be "entertaining," Pitre has written a cliff-hanger - I couldn't put the book down! His insights - and now I'm speaking of the insights in all three of his books that I've read so far - Jesus and the Jewish Roots of the Eucharist, Jesus the Bridegroom, and this book, The Case for Jesus - are profound and deeply enriching spiritually. Although I've questioned a few of his insights, most of them have moved me profoundly, with a sense of wonder, and deep love and gratitude to Our Lord. Reading his books is, for me, a real form of prayer. I am looking forward to reading Jesus and the Last Supper (borrowed from the library to see whether I'll want to buy my own copy); this last book, per its reviewers, is aimed at a scholarly audience and different in tone from the three very accessible books I named above, but I'm expecting this book to be a treasure, too. In all of his books, Brant Pitre's lucid writing style, coupled with his solid scholarship, deep faith, and beautiful love for Our Lord, makes for a very special reading experience. I appreciate his respect for and great knowledge of Judaism, and the way he helps us to see the rich continuity between the Jewish and Christian faiths. Brant Pitre’s books are a real gift to us all.
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Reviewed in the United States on January 27, 2017
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M. L. Asselin
Waukegan, US
★★★★★ 5
Who is Jesus: A Case for Jesus’ Divinity
Format: Hardcover
I thoroughly enjoyed reading Brant Pitre’s “The Case for Jesus.” The New Testament scholar’s contribution to Catholic popular literature on the identity of Jesus stands well above much of the plethora of material available to Christian readers today. Pitre (mostly) convincingly builds his case through careful, fact-based argumentation--even if one could draw different conclusions from the same evidence. What case is Pitre trying to make? In effect, he makes several cases leading up to his central point of who Jesus was and is. In the first part of this slim volume, he treats the authorship of the Gospels. In this matter, as in most of the book, his principle foil seems to be Bart Ehrman, a former Fundamentalist Christian-turned-apostate scholar whose popular works attempt to undermine the validity of the Gospels as meaningful historical documents and specifically the claim that Jesus is the Son of God. Contrary to Ehrman, Pitre argues for the traditional authorship of the Gospels. As two significant pieces of evidence, Pitre points out that even the earliest Gospel manuscripts and secondary references to the Gospels include the writers’ names by which we know them. The Gospels, then, were never really “anonymous.” This leads Pitre to challenge the scholarly consensus on the dating of the Gospels, and the more controversial hypothesis that Matthew and Luke were based in part on a hypothetical, now lost (and, as Pitre points out, never referenced) book of Jesus sayings denoted by scholars as the “Q” source. As for the so-called lost or apocryphal gospels, Pitre shows that they were never really lost, that most of them were known by early Christian writers, who regarded them as forgeries. In the case of the apocryphal gospels, then, even though the internal evidence suggests that they were written by the apostles to whom they were ascribed, the attributions were never accepted. Ehrman has argued that the apocryphal gospels were not accepted by mainstream or orthodox Christianity, but were embraced by the communities, such as the Gnostics, for whom they were written. In a way, Pitre and Ehrman aren’t in contradiction here, but they just interpret the data differently. In other words, if you accept that the Church Fathers are espousing the correct version of Christianity, then Pitre’s point stands; if you hold on to the view that the Church Fathers represented one view of Christianity among many, all to be regarded equally, then the criticism of the (orthodox) Church Fathers matters less. Pitre, while not dismissing the validity of literary criticism, argues for the historical value of the Gospels. He wants to treat the Gospels as biographies of Jesus. Their inconsistencies and apparent contradictions stem not, as Ehrman would have it, from a “telephone game”-like process of accretions and alterations over time, or even so much from the requirements of the communities for which they were written, as from the different perspectives and life experiences of their writers. Pitre notes the similarities between the Gospels and ancient Greco-Roman biographies in countering the ideas of Ehrman and before him, Rudolf Bultmann, in thinking of the Gospels as akin to folktales, fairy stories, and myths. Pitre stands for the literal truth of the Gospels as far as they will allow in part because two of the four Gospels tell us that they are true (Lk 1:1-4; Jn 19:35, 21:24-25). There’s a bit of circularity in that argument. The main case for Jesus that Pitre wants to make is for His divinity. The Gospels, as Luke Timothy Johnson and other scholars have explained, try to answer, however obliquely, the question Jesus himself poses to Peter: “But who do you say that I am?” (Mk 8:29). Pitre makes the case that the Gospels--even the synoptic Gospels--speak to Jesus’ being God. Pitre makes a lively, even entertaining, argument, using some passages, e.g., the reference to the sign of Jonah, in ways I certainly hadn’t thought of before. Even though as a Catholic I accept Jesus’ divinity, I am willing to allow that others may look at Pitre’s argument and reasonably come to different conclusions. One train of thinking might be this: Pitre notes that Jesus speaks in parables and riddles, and so His claims to divinity are indirect. Moreover, an outright and indeed blasphemous claim to His divinity might have put an even earlier end to Jesus’ three years of ministry. But the Gospel writers should not have been constrained by either Jesus’ particular application of rhetoric or his need to be circumspect; why did the Gospel writers not forthrightly declare that Jesus was God? I think the proper response to this is that Matthew, Mark, Luke and John wanted the person encountering the Gospels to answer for themselves who Jesus was and is. In other words, by transmitting the way Jesus conveyed who He was to His disciples perhaps they, too, would draw in and win over later followers of Christ. It’s much more efficacious to engage the potential convert that way than simply to assert that Jesus is God. Brad Pitre has written a wonderful and engaging book. Even if you don’t agree with all of his conclusions, you will appreciate his logical and engaging discussion. This book is meant for the general reader, although it does have a scholarly apparatus by way of careful notes. An index would have been nice but this is a short book of a couple hundred pages. If you’re on a long flight, this book would be the perfect company.
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Reviewed in the United States on October 28, 2016

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