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Description
maxi cosi zelia luxe stroller Maxi-Cosi Zelia² Luxe 5-in-1 Modular Travel SystemThe Zelia Luxe 5 in 1 Modular Travel System is designed to help you stroll into parenthood with ease. So versatile, you can step out with your baby from day 1 and be prepared to journey through years of adventures together. Transition smoothly between 5 modes by switching easily between parent facing car seat caddy, reversible carriage, and reversible stroller. Extend the MaxShade canopy on hot days for additional UPF 50 sun protection or to give your
The Zelia² Luxe 5-in-1 Modular Travel System is designed to help you stroll into parenthood with ease. So versatile, you can step out with your baby from day 1 and be prepared to journey through years of adventures together. Transition smoothly between 5 modes by switching easily between parent-facing car seat caddy, reversible carriage, and reversible stroller. Extend the MaxShade canopy on hot days for additional UPF 50 sun protection or to give your little one some privacy to rest. You can still keep your eye on each other through the mesh peek-a-boo window. The included lightweight Mico Luxe Infant Car Seat is made for safety plus coziness for your baby with Side Impact Protection (SIP), removable plush infant inserts, and premium PureCosi fabrics that keep your little one comfy yet can be removed quickly without the need to rethread the harness when it’s time to machine wash and dry them. Vegan-leather accents on the stroller and car seat add style and comfort. The simple-to-fold stroller is self-standing for convenient storage. This modular travel system is a dynamic duo designed to help you go from home to car to strolling (and back again) with minimal effort, so you can focus on the fun of exploring along the way.
- Choose between 5 modes of use: parent-facing car seat caddy, reversible carriage, and reversible stroller
- Soft, textured stroller fabrics provide a premium look for you, and soothing comfort for baby
- Extendable MaxShade canopy on stroller for sun protection with UPF 50 and a mesh peek-a-boo window
- Customize the stroller handle to your preferred height for a more comfortable push
- Rear-facing Mico Luxe Infant car seat for babies from 4–30 lbs. and up to 32”
- Infant car seat shell designed with ClimaFlow technology, providing added ventilation to help keep baby cooler
- Bumper bar swings to the side to easily get baby in and out of the stroller seat
- Extra inlay in car seat for added comfort and support; machine washable for quick cleaning
- Stylish vegan-leather accents
- Easy-to-fold stroller is self-standing for quick access and convenient storage
- Extra-large storage basket fits larger items with easy access
- Sturdy stroller, yet lightweight for convenient and comfortable mobility
- All-wheel suspension technology provides smooth maneuverability
- Removable parent cup holder
- Infant car seat features PureCosi fabric made without wool or added fire-retardant treatment
- Contoured, ergonomic car seat handle curves around your hip for a more comfortable carry and features vegan-leather trim for comfort and style
- Infant car seat inserts can be easily removed without rethreading the harness. All fabrics are machine washable and dryer-safe
- Car seat has extra plush padding on the infant head and lumbar inserts ensures a comfortable and secure ride
- Large, visible belt guides make installing the car seat without the base (taxi-mode) intuitive and seamless
- Side Impact Protection (SIP) on car seat
- 1-handed release from car seat base and stroller
- Includes a convenient stay-in-car base with 3 adjustable positions, and 1-click LATCH system
- Meets or exceeds Federal Safety Standards
- Stroller meets Disney park size requirements
- Dimensions: 44.1" H x 26.6" W x 40.7" D
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4.1 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
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Reviewed in the United States on October 10, 2025
★★★★★ 5
We love this film.
We watched it on our anniversary. It is a sweet story!
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Reviewed in the United States on January 24, 2026