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69686 philodendron price Philodendron 'Bette Waterbury' ('69686') – Foliage Factory

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Description

69686 philodendron price Philodendron 'Bette Waterbury' ('69686') – Foliage FactoryPhilodendron Bette Waterbury 69686 Philodendron Bette Waterbury, still widely known in cultivation as Philodendron 69686, develops deeply three lobed leaves with a long, narrow central lobe and slim side lobes spreading from the upper part of the blade. This cultivated hybrid has unknown original provenance and was formally published under the cultivar name Philodendron Bette Waterbury; 69686 remains widely used as its collection and trade reference.

Philodendron ‘Bette Waterbury’ 69686

Philodendron ‘Bette Waterbury’, still widely known in cultivation as Philodendron 69686, develops deeply three-lobed leaves with a long, narrow central lobe and slim side lobes spreading from the upper part of the blade.

This cultivated hybrid has unknown original provenance and was formally published under the cultivar name Philodendron ‘Bette Waterbury’; 69686 remains widely used as its collection and trade reference. Mature growth carries short internodes, long cataphylls, dark green petioles and semi-glossy divided blades. As the stem climbs, the leaves can gain size and show the narrow-lobed shape more clearly.

Philodendron ‘Bette Waterbury’ leaf shape and growth habit

  • Leaf shape: Deeply three-lobed blades with a long central lobe and narrow, spreading lateral lobes.
  • Growth habit: Scandent vine with short internodes and aerial roots along the climbing stem.
  • Name note: Philodendron ‘Bette Waterbury’ is the cultivar name; 69686 is the collection and trade reference.
  • Leaf texture: Mature blades are dark green, semi-glossy and firm-textured.

How Philodendron ‘Bette Waterbury’ leaves mature

Philodendron ‘Bette Waterbury’ was found in the Roberto Burle Marx collection and introduced into cultivation in the United States by Bette Waterbury.

A settled specimen can produce longer petioles, thicker stems and better-defined lobes than a juvenile plant. The narrow central lobe becomes the dominant part of the blade, while the side lobes sit at a wide angle near the base.

Philodendron ‘Bette Waterbury’ support and climbing care

  • Support: Add a moss pole, plank, or textured stake early so aerial roots can attach as the stem lengthens.
  • Light: Give bright filtered light. Direct sun can mark the leaf surface, while very dim placement slows leaf size development.
  • Watering: Water when roughly the upper 25–35% of the pot has dried. The roots need moisture with air around them, not a constantly wet pot.
  • Substrate: Use a chunky aroid mix with bark, perlite, coco chips, pumice, or similar mineral pieces so roots can breathe between waterings.
  • Humidity: Moderate to higher humidity helps new lobed leaves unfurl cleanly during active growth.
  • Temperature: Keep it warm, ideally around 18–28°C, and protect it from cold draughts and chilled windows.
  • Repotting: Move it up one pot size when roots fill the container or the plant dries too quickly after watering.
  • Fertilizing: Feed lightly during active growth with a balanced houseplant fertilizer, avoiding heavy doses on dry roots.
  • Propagation: Propagate from stem cuttings with at least one node; aerial-root sections usually establish fastest.
  • Pruning: Trim long or uneven stems above a node if you need to control height or encourage a cleaner climbing shape.
  • Semi-hydroponics: Suitable for mineral or semi-hydro setups if the cutting or rooted plant is transitioned gradually and the crown stays above the reservoir line.

Philodendron ‘Bette Waterbury’ leaf and root problems

  • Small new leaves: Usually linked to weak light, no climbing surface, or an underfed root system. Improve light and give the aerial roots something to attach to.
  • Yellow lower leaves: Check the root zone first. A dense or wet mix can hold too much water around the lower stem.
  • Damaged new growth: If leaves tear while opening, raise humidity slightly and keep the support lightly moist during active root attachment without keeping the pot constantly wet.
  • Stem lean: A larger plant can become top-heavy. Secure the stem loosely before it pulls away from its support.

Philodendron ‘Bette Waterbury’ contains irritating calcium oxalate crystals and should be kept away from pets. Wear gloves when cutting stems if your skin reacts easily to aroid sap.

Philodendron ‘Bette Waterbury’ etymology and cultivar history

The genus name Philodendron comes from Greek roots meaning “tree-loving”. Philodendron ‘Bette Waterbury’ was formally published as a cultivar name by T.B. Croat in Aroideana in 2022, honouring Bette Waterbury, the first President of the International Aroid Society.

Order Philodendron ‘Bette Waterbury’ 69686 online for a climbing Philodendron with deeply lobed mature leaves.

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Alexandria, US
★★★★★ 5
Truly "essential" for any letterer, whether casual or serious about the profession!
Format: Paperback
When I first got this book, I was a bit disappointed. I thought it was going to be detailing lettering by hand. It didn't. But guess what? It's better for it. As the author, Nate Peikos, demonstrates, the bulk of lettering now is done digitally and with good reason. So not only is this book incredibly inspiring for any graphic artist / letterer -- with its many examples of great lettering; its demonstration of useful techniques -- the author is so open and honest in his writing. While reading it, you don't feel that he's putting the job of lettering out of the reader's reach. In fact, he's putting it right within reach through a humility that is coupled with his exceptional skills. If you're an up-and-coming letterer, someone on the outskirts of lettering wanting to delve into it more professional (like myself), or even if you've had some work doing lettering, there is something for each type in this book. It's a book that I'll cherish and reference frequently, especially with all the examples that just ooze inspiration. My only regret is that I didn't know about some of these techniques a few years ago! But, nevertheless, I started implementing some of the techniques the first day after reading just a few pages. It reinvigorated my own desire to become a better and even semi-professional letterer, a very under-appreciated profession.
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Reviewed in the United States on November 5, 2021
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Simon C
Lake Worth, US
★★★★★ 4
A great overall book, with one critical omission.
Format: Paperback
This is a great book to illuminate the mysterious art of comicbook lettering. It goes deep into the practical details and theory required to make a graphic novel, manga, or superhero comic with the look and feel of a professional product. But comicbook lettering is actually more than a purely aesthetic art form, it plays a critical role in conveying meaning, emotional mood, and tone of voice. Along with the artwork and panel composition, the layout of the lettering and dialogue balloons is also critical to help guide the reader's eyes naturally from panel to panel. If you're curious about how graphic design for visual narrative works, this is an interesting and inspiring book. My only criticism is the conspicuous omission of perhaps the one topic this author is uniquely qualified to illuminate, and that is: the actual creation of the fonts themselves. I've admired Nate's Blambot comic fonts for a long time (and have purchased licenses for some of them), so I was looking forward to at least getting an overview of how he approaches this seemingly critical aspect of comicbook lettering. But no. He doesn't go into it even slightly, which is a shame, because this would have been the perfect book on the topic if he had. I understand that font design is a huge topic unto itself, but was disappointed that in a book of this size, there weren't even a few pages dedicated to discussing the process of making fonts for comicbooks. Literally anyone reading this book would want to know that information. Having said that, it's a great book, and I still enjoyed it very much. You'll probably be surprised by how much more there is to learn about this topic than you may have thought. Reading it will deepen your appreciation for an art form that, like a great movie score, is basically invisible when done very well, yet amplifies the emotional impact of each contributing discipline, and profoundly contributes to the enjoyment of the final experience.
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Reviewed in the United States on September 22, 2022
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Scott Calvert
San Leandro, US
★★★★★ 5
A Lettering Masterclass
Format: Paperback
Nate Piekos is a rockstar. If you want it learn how to letter comics, this is the first thing I would buy. It’s not a fancy book, just practical step-by-step how to do a craft right.
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Reviewed in the United States on May 30, 2026
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Bishop A.
Charlottesville, US
★★★★★ 5
Title says it all: ESSENTIAL!
Format: Paperback
This is a FANTASTIC book! The information may seem overwhelming at first, but it is easy to understand. As some reviewers said, it does not spend much time on hand lettering (I assume this is due to the industry going more digital as time goes on). Those who want more information on hand lettering may have to seek help elsewhere. It is mentioned VERY briefly in the beginning, I believe. It includes: step by step instructions on creating speech bubbles, tips on font creations, sentence formatting, page borders, splash/double splash page construction, creating templates that save you time in the long run, making logos, sound effects and much more. This book is a great launching point for anyone looking to start their lettering career or even for anyone that wants to gain an appreciation for an intergral and often overlooked part of Comic books!
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Reviewed in the United States on February 28, 2022
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Bob B.
Houston, US
★★★★★ 5
One of the Best "Making Comics" Books Out There
Format: Kindle
Honestly, one of the best books on making comics that I've read. So well done, insightful, well-organized, and easily referential. If you're looking for the basic principles of lettering, look no further than this.
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Reviewed in the United States on June 22, 2025

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