SKU: 28643926784
night vision goggles white phosphor

night vision goggles white phosphor PVS-14 Gen3 Night Vision Goggles

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Description

night vision goggles white phosphor PVS-14 Gen3 Night Vision GogglesPVS 14 Gen3 Auto Gated Night Vision Mono Goggles Containing a US made Elbit Systems 64 72 lp mm Gen3 image tube, PVS 14 Gen3 Auto Gated Night Vision Mono Goggles are the system of choice for first responders tasked with high risk assignments in highly variable urban environments. Two Gen3 tube versions are available, including a commercial spec tube at 1400 1800 FOM, and a full blown mil spec tube rated at an impressive 1800 2000 FOM. Fully autogated,

PVS-14 Gen3 Auto-Gated Night Vision Mono-Goggles


Containing a US-made Elbit Systems 64-72 lp/mm Gen3 image tube, PVS-14 Gen3 Auto-Gated Night Vision Mono-Goggles are the system of choice for first responders tasked with high risk assignments in highly variable urban environments.

Two Gen3 tube versions are available, including a commercial-spec tube at 1400-1800 FOM, and a full-blown mil-spec tube rated at an impressive 1800-2000 FOM.  

Fully autogated, both Gen3 tubes dynamically oscillate - or autogate – their current draws from the microchannel plate to permit instant adjustments to prevailing light conditions. 

Even sudden bursts of bright light won’t faze these tubes, ensuring a constant, unblinking view no matter the prevailing lighting conditions.  The result?  Constant situational awareness, no blinding flares, no startling pops of light, no emergency shut-downs.

In addition to autogating, manual gain control provides you with direct control over your mono-goggle's performance. Under brightly lit, full moon conditions gain can be minimized to decrease screen brightness, while for heavily overcast night skies the gain can be cranked wide open to brighten the scene to the max.

In addition to its primary function as a hands-free mono-goggle, your PVS-14 can be configured with a wide assortment of available lenses, helmet mounts and accessories. Powered by a single AA battery that's rated to 40-hours, the system is waterproof to 66 feet and features an integrated short range, covert infrared illuminator.

Rounding out this impressive package is a demist shield to reduce ocular fogging, a sacrificial window to prevent lens scratches, a lens cloth, soft carry bag and manual, all supported by an impressive 5-year warranty.

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SKU: 28643926784

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4.5 ★★★★★
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Joel Bradford
West Palm Beach, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
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Mr. Watkins
Louisville, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
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***moviemaker***
San Leandro, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Los Angeles, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
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Basket Case
Birmingham, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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