SKU: 38131577449
vintage alexander mcqueen dress

vintage alexander mcqueen dress Important Fall 2003 Alexander McQueen 'Scanners" Runway Look 55 Silk Corset Dress w Silver Sequins & Embroidery – Shrimpton Couture

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Description

vintage alexander mcqueen dress Important Fall 2003 Alexander McQueen 'Scanners" Runway Look 55 Silk Corset Dress w Silver Sequins & Embroidery – Shrimpton CoutureThis is a very recognizable Alexander McQueen piece. While there are many of his pieces out there that only die hard collectors would know at first glance, this is one of the dresses that you instantly know is McQueen. Lee had only recently joined the Gucci Group at this point and his shows were becoming bigger and more commercial. The Fall 2003 collection was titled 'Scanners' and he went to the frozen arctic tundra for the show set. The runway was a

This is a very recognizable Alexander McQueen piece. While there are many of his pieces out there that only die-hard collectors would know at first glance, this is one of the dresses that you instantly know is McQueen. Lee had only recently joined the Gucci Group at this point and his shows were becoming bigger and more commercial. The Fall 2003 collection was titled 'Scanners' and he went to the frozen arctic tundra for the show set. The runway was a wasteland set against an icy mountain. Models walked among rubble and rocks on the runway and and a dusting of snow covered everything. The name of the show came from the invitation that had scans of McQueen's actual brain on them. In the book "Alexander McQueen" by Abrams, they noted that "the collection engaged McQueen's interest in Eurasian culture and was presented as a journey of displaced travellers from west to east, from dark to light across the harsh planes of Siberia through Tibet, and into Japan, the land of the rising sun." The looks touched on both Russia and Japanese themes as well as mixing in a little bit of his signature punk. This is the twin of the dress that walked the runway for Look 55 and it is outstanding. It also has a strong tie-in with red carpets and we have included photos of some of the people that have worn one here including Eve and Naomi Campbell. This is an exceptional, very rare and extraordinary piece of his work for the collector. It might even make an amazing choice for a bride looking a non-traditional choice or alternative dress in a more extended wedding celebration.

This dress is beautiful and rarely does one see this level of workmanship in ready-to-wear. The fabric is a feather light white silk chiffon that moves with the barest breathe of air. The cut is classic McQueen with a low cut squared off neckline at the front that is meant to hold and push the breasts upwards. Underneath the bodice sits a band of silk to add some shape and structure. This tiny little detail adds the perfect bit of shape and gives the bodice its empire cut. The back is scooped to show a bare expanse of skin. I love how the straps are meant to sit at the very outer edge of your shoulders. Inside it is lined in an ivory silk satin and has hidden set boning. The construction is beautiful and done to the high level that you expect from runway McQueen. The skirt falls from the band beneath the bodice and there are yards and yards of silk used to create the skirt. At the front it is cut to just past the knee or just above mid-calf, depending on your height. It curves around the back where it drops in length at the centre and then there are two long panels on either side of you that fall to the floor. The effect this multi-length hem creates when you move is fantastic. As you walk it floats out behind and around you. You can see the movement in the runway video and it is extraordinary. If that was not enough, the entire dress was then hand, beaded and sequin with a combination of silver thread, tiny little silver beads and tiny silver sequins. They form an exquisite and highly detailed trailing flower design that is denser around the hem and then trails up the dress into the bodice. Attached ties extend out from the centre back of at the waist with extra extra long ties that can be wrapped around you or tied and left to trail out behind you. This is a work of art from one of the greatest designers of our time. Excellent condition. 

Fully lined in a white silk satin through the bust and white silk chiffon through the skirt. It closes with a series of large hidden set hooks at the back. The hooks could be moved a quarter to half inch up or down to get more or less room. The interior bust is shaped and boned. Hand finishes throughout. No size tag present. 

Bust: 15-16" flat across from side seam to side seam
Empire waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 9" from top of shoulder to the top of the 1" band under the bust
Total length: 39" from top of shoulder to the front hem, 44" to the shortest pont of the back hem, 59" to the longest point of the hem.

Modern Sizing Equivalent: XS-SML

Item# DD4744

Reference Photos/Video: (1-3) Fall 2003 Alexander McQueen Runway, Look 55. Model Natalia Vodianova.  /  (4) Eve at the 2003 CFDA Awards.  /  (5) Naomi Campbell at a Party thrown in honor of McQueen, November 2004.  /  (6) Lily Donaldson on left at the 2006 Met Gala.  /  (7-8) Sienna Miller at the premiere of Cold Mountain, December 2003  /  (9) Julia Schlaepfer wearing this dress at the BAFTA Tea Party, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

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SKU: 38131577449

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John Farrell
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★★★★★ 5
It is not a teaching tool but a good reference for someone who know but needs a fast ...
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Carnegie, US
★★★★★ 5
Packed with Information
Format: Kindle
Excellent companion into learning Godot and diving into the world of programming for games
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Reviewed in the United States on February 18, 2023
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Kindle Customer
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★★★★★ 4
A good birds-eye view book.
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I own the print version of this book, and am using it to teach a high school class on Godot. What I like: it's accessible and descriptive. The explanations in the later book of why the author is doing something are pretty good. They are written in plain English and most of the reasoning for why some things are being done are explained. What I don't like: the print quality *is* dark, but I'm not sure what you can do about that given that most of Godot is using a dark UI and the book is in black and white. I found it legible, most of the time, but there were moments I had to decipher it from context. Also, I think the initial scripting section is light on details and almost pointless from an educational standpoint. It shows the reader what is going on in normal GDScript, but does not take them through any exercises. The programming aspect of the book is better explained in later chapters, but I think for true beginners the scripting section should be reworked. Overall, I will use it but will supplement it for students. For personal use: if you have basic Godot knowledge this will probably not add too much to your abilities. If you are new to gamedev this is a good way to pick up the flow quickly, even though there is not a lot of depth.
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Reviewed in the United States on August 15, 2022
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★★★★★ 2
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Reviewed in the United States on January 23, 2022
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Mastering Community Management by Victoria Tran is easily one of the most approachable, grounded, and genuinely helpful books I’ve read on the subject. It’s not weighed down by corporate jargon or vague motivational fluff. Instead, it reads like a knowledgeable friend sitting beside you, walking you through what community actually is and what it isn’t. As a small indie developer trying to revitalize my own brand and reconnect with my community after a long absence, this book hit at exactly the right time. It gave me not only strategies, but the right questions to ask myself about the kind of experience I want to create. Too many resources focus on surface-level tactics—Victoria goes deeper. She invites you to reflect on your values, your voice, and your long-term goals, then gives you tools to act on them. One of the strongest aspects of this book is how clearly it distinguishes community management from marketing, social media, PR, and other often-blurred roles. If you’ve ever struggled to explain the value of community work to stakeholders or collaborators, this book gives you the language, examples, and frameworks to make your case with clarity and confidence. It’s also deeply aware of the wide range of contexts in which community work happens. Tran never assumes you're working with a massive team or unlimited resources. Whether you're part of a AAA studio, a two-person indie dev team, a hobbyist group, or something in between, the book respects those differences and offers flexible, practical guidance that can be scaled or remixed to fit your needs. The book is packed with real-world examples and thoughtful exercises that walk you through both practical strategies and big-picture thinking. You’re not just handed advice—you’re invited to work through your own approach using templates, prompts, and reflection activities that are grounded in real experience. Every chapter is dense with insights that are critical for new developers and also thought-provoking for those who’ve been in the industry a while. And while the book is focused on video game communities, its frameworks feel highly adaptable. As someone also working in the tabletop space, I found that many of the ideas translated beautifully—especially in a field where so much success is driven by small, tight-knit communities and word-of-mouth engagement. For those of us wearing multiple hats—dev, marketer, moderator, cheerleader—this is the kind of resource you’ll return to again and again. Whether you're just starting out or trying to rebuild trust and engagement, Mastering Community Management provides clarity and care in equal measure. It’s clear, it’s kind, and it’s deeply useful. Buy it for yourself, your team, and anyone who still thinks community is “just Discord.”
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