SKU: 54599950883
bias cut silk dress

bias cut silk dress Gorgeous Fall 2003 John Galliano Dusky Purple Bias Cut Silk & Silk Chi – Shrimpton Couture

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Description

bias cut silk dress Gorgeous Fall 2003 John Galliano Dusky Purple Bias Cut Silk & Silk Chi – Shrimpton CoutureThis dress is from John Galliano's own label and is an incredible example of his work from this time period. It was made under the creative direction of John Galliano This is a production piece that was not shown on the runway but would have been made in limited quantities for the shops. For this season he had emphasized a glamorous hourglass shape mixed with nods to pinup girl lingerie style dressing. These bias cut dresses always showcase his love

  • This dress is from John Galliano's own label and is an incredible example of his work from this time period.
  • It was made under the creative direction of John Galliano
  • This is a production piece that was not shown on the runway but would have been made in limited quantities for the shops.
  • For this season he had emphasized a glamorous hourglass shape mixed with nods to pinup girl lingerie style dressing. These bias cut dresses always showcase his love of the 1930s and 1940s and you can see that influence in them.
  • The dress is made out of a deep dusky purple silk that has a slight bit of texture to it. It is completely cut on the bias in that signature cut he does so well.
  • The dress falls from a delicate strap that curves up and behind the neck and then it drapes down and over the body to the floor.
  • The bias cut of it allows the dress to skim and drape over you so that it shows every curve but is not overly fitted.
  • The fabric has been pieced together with dropped and angled panels throughout to create the beautiful shape that you see.
  • At the back, the strap meets behind the neck and then drop down the centre of the back and panels of silk are suspended from it. These curving panels can be worn either down and under the arms or you can drape your arms through them to create a beautiful curving 'sleeve' effect over the arm.
  • The dress glides over the body past the bust, waist and hips and then flares out as it reaches the hem.
  • It buttons to close down the side with a row of his signature buttons covered in the same silk and then on the other side the fabric is gathered in and up into a wired circle. The circle is open in the centre and the panels that gather into the circle have been cut out and opened so that it forms the shape of a flower trailing over one hip.
  • The dress is lined in a crepe silk but you could choose to remove that lining and have that side be completely bare so that your skin showed through if you wished. I have seen this dress in another colour where someone did that and it looked great. It is an incredible feat of patterning.
  • The photos cannot fully convey how a bias cut dress moves. It will only truly come to life when worn.
  • Fully lined in a slightly deeper purple silk crepe and closes at the side with a series of silk covered buttons. I see perhaps a tiny pull in the fabric here and there which happens with this fabric and a bit of shininess here and there from pressing near seams. All minor and mentioned for accuracy.
  • Tagged a FR42, GB14, US8. The bias cut should allow it to fit a range of sizes with it just draping more in a smaller frame
  • Excellent condition

Bust: 16-19" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 63" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5318

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SKU: 54599950883

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Verified Purchase
Ephraim Morrison
Alexandria, US
★★★★★ 5
A Brilliant Analysis of the Black Man's Experience with Colonialism. A Scientific Analysis of the Black Psyche in a White World
Format: Paperback
This is a brilliant attempt of the era to scientifically analyze the black psyche in a white world. This book has far reaching effects on how colonialism was viewed to impact the black man in society and undoubtedly must have sparked a few revolutionary undertakings. This is not my first encounter with this book, I have had the opportunity to use it as sociological reference in 1981/82 and felt compelled that I would read it in its entirety some day. Now I can say I did and was more than satisfied. Fanon is a great writer of his times and beyond. I am tempted to say that this book should be read by all Black men and women however it is not an easy read because to me it is not a Novel (not a story book). As a student of History, Sociology, Psychology and Psychiatry I found it very delightful and relatively easy to follow. This Book is very powerful writings for the time when it was written, no wonder Fanon was dissuaded from using it as his Thesis for his Ph.D.. May his soul rest in peace but may his ideas live on. O my body always make me a man who questions?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 11, 2014
I
Verified Purchase
Ioana
Phoenix, US
★★★★★ 5
An evocative poetic-critical reading of oppression, racism, colonialism
Format: Paperback
"I am black; I am in total fusion with the world, in sympathetic affinity with the earth, losing my id in the heart of the cosmos... I am black, not because of a curse, but because my skin has been able to capture all the cosmic effluvia. I am truly a drop of sun under the earth." (p. 27)~ Thus Fanon reaches into the experience and meaning of the black man's alienation. This alienation strikes in an essential sense--it stems from the denial of the black man's very flesh: "The black man is attacked for his corporeality. It is his tangible personality that is lynched. It is his actual being that is dangerous..." (142). The white man, who has been obsessed with eradicating the body out of collective consciousness for millennia, now associates this abjected domain of the body with the black man, and constructs it as the essential evil Other. The white man does this because he is insecure--he does this out of hatred, a hatred that he works to cultivate, that consumes his time and energy. The white man is dehumanized. Projecting his fears onto the black man, the white man shirks his responsibility to acknowledge his guilt (83) in instrumentalizing the black man (206). Even though this work was written over 50 years ago in a literal colony of Europe, sadly it remains only too relevant in the United States today as a condition between people that allegedly have the same legal and human rights. This is largely made possible by the many ever-so-casual-racists (who vehemently deny they are racist)--people who, for example, complain about affirmative action as unfair to them personally (nevermind history and generations of enslavement and stolen opportunities). Fanon writes, "outside university circles there is an army of fools... Granted, these fools are the product of a psychological-economic substructure. But that does not get us anywhere" (18). An education for racial tolerance from which we are sadly very far removed is necessary for moving towards a world of love.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 23, 2009
L
Verified Purchase
Lionel(Bo)
Phoenix, US
★★★★★ 5
Excellent
Format: Paperback
Glad I purchased this book for my collection. Great information. Knowledge is power.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 18, 2023
M
Verified Purchase
Maria Ortega
Draper, US
★★★★★ 4
Good book, this isn't my favorite (Wretched of the ...
Format: Kindle
Good book, this isn't my favorite (Wretched of the Earth continues to be) but it gives a good account of the effects of colonialism on people's psyche. Fanon masterfully demonstrates how violence is practiced on the minds and bodies of those on the receiving end of colonialism. He digs deep into how the ideology of whiteness as 'pure' and 'good' are, for one, deeply flawed, but more importantly, these false beliefs are incredibly damaging to humanity as a whole. Although it's a good book, I found some serious flaws with some of his arguments but I still think it was worth the read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 21, 2015
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Dancing Palmtrees
New York, US
★★★★★ 5
Black Nationalism
Format: Paperback
This is and was a great book. Even though he discussed the effects of racism in regards to his native land of Martinique we Mr. Fanon has to say still resounds in today's so-called PC world. I do wish he had lived long enough to see Barack Obama elected President of the United States. I would have loved to hear his take on that. The only aspect I found missing from this book is his opinion on Black American ex-patriots living in France. James Baldwin, Richard Wright, Josephine Baker.... Did these African-Americans living in Paris not realize the effect of colonolism on all Africans in the Diaspora?, or were they treated as "Honorary Whites" in France. I truly wish Frantz Fanon had explored that entire subject.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 25, 2009

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