SKU: 73315658775
1920 velvet dress

1920 velvet dress 1920's Red Wine Velvet and Lace Detail Dress Size S/M

Sale price$18.49 Regular price$20.54
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Description

1920 velvet dress 1920's Red Wine Velvet and Lace Detail Dress Size S/MFEATURES Sumptuous red velvet fabric, the kind that whispers luxury with every swish. Lace details on the sleeve cuffs and collar, because nothing says "Im important" like a touch of lace. Bow accents, perfectly placed on the collar and skirtbecause more bows mean more sass. Tiered skirt that offers just the right amount of drama as you glide across the room. V neck cut that hints at elegance but says, Im here to have fun, darling. Drop waist Pullover

FEATURES

  • Sumptuous red velvet fabric, the kind that whispers luxury with every swish.
  • Lace details on the sleeve cuffs and collar, because nothing says "I’m important" like a touch of lace.
  • Bow accents, perfectly placed on the collar and skirt—because more bows mean more sass.
  • Tiered skirt that offers just the right amount of drama as you glide across the room.
  • V-neck cut that hints at elegance but says, “I’m here to have fun, darling.”
  • Drop waist
  • Pullover entry

This dress allegedly once belonged to a woman named Marguerite “Maggie” LaRue, a notorious socialite who had a tendency to “accidentally” spill champagne on people she didn’t like. Maggie wore this very dress to a scandalous art deco soirée in Paris, where she danced with a prince, outran a waiter chasing her for unpaid champagne, and “borrowed” a Rolls Royce for a joyride through the city streets. It’s safe to say, this dress has seen more adventures than most of us could ever hope to—and probably needs a rest. But, darling, don't worry—it'll be ready for your next grand escapade.

 

CONDITION

Good vintage condition for its age.  There has been a previous repair made on the front of the dress about 4in below the sleeve. There is a pinhole on the back of the dress just below the lace collar. This dress is very delicate and should be worn and treated with extreme care.


MEASUREMENTS

suggested letter size: S. This style of dress is meant to be worn loose, so make that consideration when comparing the measurements to those of items you usually wear.

bust (underarm): 36.5"

waist: 38"

hip: 40"

length: 40"

shoulder to waist: 16"

sleeve: 23.5"


OTHER STATS

fabric stretch? none

color: red

material: velvet, lace

label: none

pinned on model? no


Note on fit: 

***All items are measured while the garment is laying flat. The bust, waist & hip measurements have already been doubled for your convenience.***

 

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SKU: 73315658775

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Anthony Gagliardi
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Reviewed in the United States on July 28, 2021
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Excellent Book ! A must read ! TYRONE C .
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Reviewed in the United States on June 15, 2019
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CJ
Pawtucket, US
★★★★★ 4
Buy it
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Just finished reading it. It’s a good, easy read.
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Reviewed in the United States on June 8, 2019
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MW
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★★★★★ 5
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Reviewed in the United States on December 14, 2019
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Michael Burnam-fink
Pawtucket, US
★★★★★ 5
There is a war... for your Mind!
Format: Kindle
"There is a war... for your Mind!" That's the slogan of InfoWars, the incendiary conspiracy news network and nutritional supplement marketing firm. And while Alex Jones is wrong about almost everything, he's right about that. In LikeWar Singer and Brooking ably synthesize a sophisticated picture of information warfare in 2018, drawing from sources as diverse as Taylor Swift, Donald Trump, and ISIS, to argue that the internet has lead to a blurring of lines between consumer, citizen, journalist, activist, and warrior which threatens the foundations of liberal democracy. The tech companies which built these platforms and profited from them must grapple with the politics of their technologies, before we all reap the whirlwind. Computer networks and smart phones connect billions of people, allowing ideas to flow faster than ever before in history. Sometimes, the results can be impressive. The Chiapas Zapatista movement in 1994 was a dial-up and fax version of a network insurgency that managed to bring enough international opprobrium on Mexico that the government blinked, and reached some kind of political accord (Chiapas is complicated). More recently, Eliot Higgins and a team of open source analysts at Bellingcat managed to track down the exact BUK missile system and Russian soldiers responsible for shooting down MH 17 in 2014. But there are a lot of dark sides. When people connect, the emotion that spreads most rapidly is anger. Lies spread five times faster than truth. Musicians can use social networks to directly connect with their fans, and ISIS uses it to connect with alienated Muslim youths worldwide. Social networks sort diverse citizens into filter bubbles of people who think alike. Eliot Higgin's careful open source intelligence has a paranoid fun-house mirror version in the QAnon conspiracy, where Qultist decoders find hidden messages from an alleged 'senior white house source'. And then there is the matter of information war, an area that even now, after years of offensive cyber operations, liberal democracies still don't understand. Hostile propaganda slips into Western news networks and major platforms like Twitter, Facebook, and Instagram are infested with bots. LikeWar can even take a personal toll. Over the course of writing this book, General Michael Flynn went from forward looking full-spectrum commander to head Trumpist conspiracy cheerleader to indicted and plead out felon. Flynn's fall is complex, but it can't be separated from the internet. If the trolls got him, what chance does your idiot cousin stand? The counters, 'citizen truth teams' and senior emissaries to groups vulnerable to recruitment, seem like thin reeds against the coming maelstrom of noise. LikeWar starts with Clausewitz's dictum that war is a continuation of politics by other means, and there are clear links between cyberspace and physical space. Intensity of hashtags impacted the subsequent intensity of Israeli airstrikes during attacks on the Gaza strip. ISIS used propaganda to create an aura of invincibility that outflanked the defenders of Mosul, while Russia denied that its 'little green men' were even in Ukraine. But the difference is that cyberspace is constructed space rather than natural space. The networks are built, maintained, and owned by real corporations and real people. The internet grew from an anarchic specialized scientific network to a major engine of commerce and communicate with little deliberate government oversight. Section 230 absolved American companies of responsibility for policing content, with major carve outs for copyrighted IP and pornography. Yet as concerns over cyberbullying and counter-terrorism rose, major networks adopted digital constitutions that were permissive towards speech and censorious towards erotica. Policing content is and was possible, but always took a back seat to growth and engagement, the guide stars of Silicon Valley. The future is if anything, darker. Advances in machine learning and AI allow ever more realistic bots, computer generated DeepFakes where a politician can be programmed to say anything, and personalized targeting of people with exactly the propaganda they'll believe. There are defensive counters, but if I might draw military analogies, what we saw in 2016 was armored warfare circa 1918: clearly the future, but not yet a mature system. Given the pace of technology, we only have a few years before digital blitzkrieg. I'm extremely online, and I've been following this space for years. I've presented at multiple conferences on this topic, including Governance of Emerging Technologies and Association of Internet Researchers. LikeWar is the book I wish I'd written. Cognizant, forward looking, and deeply researched, it is vital reading for anyone interested in technology or politics. My only reservation is that I wish the sources were better linked in the text, instead of being buried in static endnotes. Maybe the next edition will push an update.
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Reviewed in the United States on October 19, 2018

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