SKU: 3653373611
blaxx looper pedal

blaxx looper pedal Chase Bliss Audio Blooper Bottomless Looper Guitar Effect Pedal — Truetone Music

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Description

blaxx looper pedal Chase Bliss Audio Blooper Bottomless Looper Guitar Effect Pedal — Truetone MusicBLOOPER The bottomless looper. Welcome to Blooper, the bottomless looper. Within this little blue rectangle is an intricate machine to explore, unravel, and make your own, with infinite opportunities and outcomes. What you record is only the beginning. And with great power comes great confusion, maybe. The Blooper is designed to be extremely flexible and open ended, and this means you will wind up in some unfamiliar places. This is half the fun of

BLOOPER

The bottomless looper.

Welcome to Blooper, the bottomless looper. Within this little blue rectangle is an intricate machine to explore, unravel, and make your own, with infinite opportunities and outcomes. What you record is only the beginning.

And with great power comes great confusion, maybe. The Blooper is designed to be extremely flexible and open-ended, and this means you will wind up in some unfamiliar places. This is half the fun of course, but it could also be overwhelming at first.  This manual includes some scenarios that reveal Blooper’s abilities bit by bit, starting with the basic and familiar and working up to adventure. Play through these scenarios and you and Blooper will be best buds in no time.

The dream of blooper was to merge high-quality looping with creative manipulation, allowing you to steer your loops to new and extraordinary places. Record a loop one day, save, then come back and transform it on another.

On the practical end, there is loop saving, eight layers of undo and redo, and external syncing. On the creative end, there are two channels of modifiers, a lo-fi Stability control, and three looping modes. blooper’s heart is Additive mode, which allows you to record sound modifiers directly into the loop like any other overdub.

Needless to say, there is a LOT you can do with this pedal.  Read below for more info on the MIDI capabilities.  The Blooper is unlike anything out there - get it now and start experimenting! 

 

MIDI CONTROL CHANGE CHANNELS

BlooperTM allows all of its parameters to be controlled via Control Change messages, as well as its loops to be saved and recalled with Program Change messages.

You can save and recall up to 7 loops with our FavesTM MIDI controller. To use a MIDI controller other than FavesTM with your BlooperTM, you’ll have to do the following:

1. Attach a Chase Bliss Audio MIDIBox “Ring Active” port using a standard 1⁄4” TRS patch cable to the TAP/MIDI jack on your BlooperTM. The Midibox is not included with
the Blooper
TM.

2. BlooperTM is set to MIDI channel 2 by default, but it is easy to change if you need to. If you want to change it, simply
hold down both stomp switches when you provide power to the pedal (hold down both stomp switches simultaneously) and then you can let go. The pedal is now looking for the first “Program Change” message it sees, and it will set itself to whatever channel it gets that first message from, permanently (until you change it again, of course).

Zero-Based Program Changes

Blooper is a “zero-based” MIDI pedal. Loops 1-16 are saved and recalled using Program Changes 0-15. This allows for the use of Faves for recalling loops and will also put presets in line with BOSS ES and MS series controllers. Other controllers have an option for “PC Offset” and will allow you to sequentially line up your PC numbers with your loop numbers.

Loop Banks and Slots

There are two banks of 8 slots for a total of 16 loop slots available. They are identified by blinking LED’s on the modifier buttons. Bank 1 is blue and bank two is red. You can identify the loop number you are on by counting the blinking lights on the modifier LED’s. For example, if a slot has blue LED’s and blinks four times, that is “slot four.” If a slot has red LED’s and blinks three times, that is “slot 11.”

Saving a Loop via MIDI

Blooper is a “zero-based” MIDI pedal. Presets 1-16 are saved and recalled using Program Changes 0-15. While in loop mode (center toggle position) you save a loop by sending a MIDI Program Change message while holding down the right stomp switch. For example, sending a Program Change message of “5” while holding down the right stomp switch will save your current loop to slot #6. A new feature on this Chase Bliss pedal, all 16 loop slots can be saved and recalled with just the pedal, alone.

Recalling a loop via MIDI

Blooper is a “zero-based” MIDI pedal. Presets 1-16 are saved and recalled using Program Changes 0-15. To use a MIDI controller to recall a loop while in loop mode, simply send the corresponding Program Change number. PC#0-PC#15. For example, sending a Program Change message of “0” loads loop 1.

With “one-based” controllers that do not allow for PC offset, you will need to subtract a value of one
(1) to your desired Program Change number.

View the table on the left showing which MIDI control change channel controls each BlooperTM parameter.

 

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SKU: 3653373611

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T. S. Myers
Natrona Heights, US
★★★★★ 5
Great Read
Format: Kindle
Very good book. I would recommend this to anyone who wants a well reasoned, easy-to-follow lay of the land when it comes to historical theology.
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Reviewed in the United States on September 30, 2025
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Judi
Natrona Heights, US
★★★★★ 5
Worth the Money
Format: Hardcover
I bought this for a seminary class. I found it to be useful and a great resource for the future.
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Reviewed in the United States on November 26, 2025
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E. Johnson
Lowell, US
★★★★★ 5
Worth the time, effort to get a good theological overview
Format: Hardcover
This book may be 600+ pages, making it a daunting task for the average Christian. But I recommend Olson's book because it gets the job done. If you want to have a good overview of the process of theology, this "story" is excellent. Written in a chronological fashion, Olson makes the facts come alive rather than mundane and dull as some other books have done. Yes, as one earlier reviewer said, Olson has his presupposions--which historian doesn't?--and his views do come out, like when he is talking about "fundamentalists" and "Calvinists." But is there really any way to write in a completely objective fashion? It's a pretty difficult task, and I think every historian I've read has his/her own opinions, meaning the recording of history is quite subjective. So I don't think it's as big of a problem as that reviewer believed it to be. My favorite part of the book was the first couple hundred pages. To me, it's obvious that Olson feels most comfortable with the first 5 centuries of the church, and this also happens to be my favorite part of church history to study. I had no qualms with how he presented everything, and the thorough index is a wonderful tool that I will probably use in the future as a reference book. All in all, I give this book a hearty thumbs-up. Just be patient and work your way through it, and you will be blessed.
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Reviewed in the United States on October 2, 2005
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Russ White
Waukegan, US
★★★★★ 4
Great Foundational Book
Format: Hardcover
If you've ever wondered how the major pieces of Christian theology --things like the Trinity, Predestination, and Baptism-- you will find them here. Dr. Olson, a historian by trade, takes on the places, times, and movements that developed and hardened the Christian doctrines we know today. Essentially, this book follows a strictly chronological format, starting from the birth of the Church in the book of Acts, and carrying through to the split of the Fundamentalist movement and Reformed theology in the 20th Century. The first section deals with the fundamental heresies that came in with the founding of the Church by examining the writing of the Patristic Fathers, the Apologetic Fathers, and then focusing specifically on Irenaeus. Here the fundamental issues of the nature of Christ in his incarnation were initially resolved. Of course, many of these issues have risen again in recent time with the formation of heretical branches of Christian thought, such as the Jehovah's Witnesses and the LDS Church. The second section deals with the unity of the Church which is primarily founded on the conversion of Rome to a Christian state. While Dr. Olson does a good job of explain the good results of the unity of the Church, he doesn't cover the concerns of those Christians who objected to the sacralism of merging the state and church, and using state power to impose consistency of theology. The major argument over the nature of the Trinity is dealt with in the fourth section, and the fifth returns to the nature of Christ. Section five describes the split between the Eastern and Western church over the issue of the procession of the Spirit --does the Spirit proceed only from the Father, or from the Father and the Son. According to Dr. Olson, the theological quarrel was founded on different views of the place of Scripture and hermeneutics. Martin Luther, John Calvin, and the Reformers are covered in the seventh section. Dr. Olson provides good insight into the relationship between the various Reformers, laying the groundwork for the ultimate split of the Reformed movement described in section eight. The author's ability to lay out the relationships in this section provides a very easy to understand historical picture, though he tends to downplay the role and objections of the Anabaptists, and the sacralizing power grounded in Constantinian Christianity. In the final section Dr. Olson discusses the split between liberal and conservative Christianity, the split between fundamentalism and mainline Christianity. Some of the most interesting pieces he discusses here relate to the role of Billy Graham's ministry, and the role of various schools, strong personalities, and even the impact of scientific thinking in this era. A long read, but a good basis from which to reach out and investigate Christian history and theology.
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Reviewed in the United States on January 12, 2012
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J.D. Jones
Fort Morgan, US
★★★★★ 5
Great Read for "Emerging" Christians (Kindle edition)
Format: Hardcover
I have a lot to say which is positive about this book, but first let me say my one disappointment: In his review of theological development of the 20th century, he completely skipped over the pentecostal and charismatic movements. He spent lots of time discussing liberation and feminist theologies, but skipped over these massive movements which claim followers in the 100s of millions. This is surprising to me do to the author's pentecostal roots and the fact that he is a solidly evangelical theologian. It could be argued that these movements haven't introduce "new doctrine" but rather just a "new emphasis" on existing doctrines such as spiritual gifts or the Holy Spirit. True, but then why did he spend so much time discussing the Pietists for whom the same could be argued. The theological influence of the pentecostal and charismatic movements is significant and their omission is glaring. Other than that... This is a timely book, especially for younger Christians. So many "emerging" Christians are writing books and spouting off ideas which they take to be new and innovative. Reading this book shows you just how tiered they are. Reading Olson's chapter on the emergence of 19th century theological liberalism in Germany reminded me of the last Brian McLaren book I read. Same ideas, but but in the context of church history one realises that these "new perspectives" have already been tried and found wanting. Solomon's declaration that, "There is nothing new under the sun" is what rand through my ears when I considered what a lot of hip, trendy, "innovative" preachers are saying now-a-days. Olson's dealing with Catholic and Orthodox church history was fair and unbiased given that many evangelical protestants often are when writing about them. I personally learned a lot about both the Scholastics as well as the Pietists. I also valued his perspective on Augustine. It is a great one volume work. Also, unlike the other reviewer, my Kindle version worked just fine.
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Reviewed in the United States on November 26, 2010

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