SKU: 338859540
lipstick jade plant

lipstick jade plant Rasta Lipstick Plant – Plant Detectives

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Description

lipstick jade plant Rasta Lipstick Plant – Plant DetectivesRasta Lipstick Plant (Aeschynanthus radicans 'Rasta') Rasta Lipstick Plant is a trailing houseplant that adds instant personality with tightly curled leaves that tumble over the edge of a pot or hanging basket. It is easy to live with in bright indoor light, and it rewards steady care with vivid red tubular blooms that pop against the dark foliage. The cascading habit makes it a natural fit for shelves and high spots where you want greenery without

Rasta Lipstick Plant (Aeschynanthus radicans 'Rasta')

Rasta Lipstick Plant is a trailing houseplant that adds instant personality with tightly curled leaves that tumble over the edge of a pot or hanging basket. It is easy to live with in bright indoor light, and it rewards steady care with vivid red tubular blooms that pop against the dark foliage. The cascading habit makes it a natural fit for shelves and high spots where you want greenery without giving up surface space. If you like plants that look a little wild but still feel polished, this one delivers.

Distinctive Features

This cultivar is prized for its twisted, curly, dark green leaves that create a dense, rope-like cascade as the stems lengthen. Bright red tubular flowers emerge from darker buds, giving the classic lipstick-plant look, with heaviest bloom often in late summer to early fall under good light. Stems can trail several feet over time, and the plant stays fuller when regularly pinched and trimmed. It is grown mainly for indoor display, where warm temperatures, humidity, and good drainage keep it looking its best.

Growing Conditions

  • Sun: Bright, indirect light, with gentle morning sun tolerated and harsh direct sun avoided.
  • Soil: A loose, well-drained potting mix, such as a houseplant mix amended with extra perlite or orchid bark.
  • Water: Water when the top inch of soil feels dry, then drain excess so roots never sit in water.
  • USDA Zones: 10 to 11.
  • Mature Size: About 12 to 24 inches tall in the pot with trailing stems about 2 to 3 feet long.
  • Habit: Trailing and cascading with dense, curly foliage.
  • Foliage: Dark green, tightly curled leaves that create a twisted, textured look.
  • Flowers: Red tubular flowers that typically bloom in late summer to early fall indoors.
  • Fruit: Not ornamental.

Ideal Uses

  • Focal Point: Hang it where the curly foliage and red blooms can steal the spotlight in a bright room.
  • Hanging Baskets: Let stems cascade freely for the fullest, most dramatic display.
  • Shelf Trailers: Place on a high shelf so the twisted foliage drapes down like living decor.
  • Bright Bathrooms: Use the extra humidity to keep leaves lush and encourage better blooming.
  • Indoor Collections: Pair with simpler-leaved plants to highlight its unique texture.

Low Maintenance Care

  • Pruning: Pinch and trim after blooming or anytime to keep the plant bushy and encourage fresh growth.
  • Humidity: Provide moderate to high humidity and good air circulation to keep foliage looking clean.
  • Feeding: Fertilize lightly in spring and summer to support growth and flowering.
  • Temperature: Keep it warm and avoid cold drafts, since chilling can cause leaf drop.
  • Repotting: Repot when rootbound, stepping up only one pot size to avoid overly wet soil.

Why Choose Rasta Lipstick Plant?

  • Curly Texture: Twisted leaves create a look that stands out from typical trailing houseplants.
  • Bright Blooms: Red tubular flowers add bold color when light and warmth are consistent.
  • Space Saving Habit: Trailing growth is perfect for hanging baskets and shelves.
  • Easy Indoor Fit: Thrives in bright, indirect light with straightforward watering.
  • Year-Round Interest: Foliage stays decorative even when the plant is not in bloom.

If you want a trailing plant with real character, Rasta Lipstick Plant is an excellent choice. Give it bright light, good drainage, and a steady watering rhythm, and it will build a dense cascade of curls with flashes of red bloom when the season is right.

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SKU: 338859540

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4.6 ★★★★★
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D
Verified Purchase
Diana D
Port Orchard, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
San Leandro, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Massapequa, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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