SKU: 4184465956
solong tent

solong tent Soulo 1 Person Tent – Feathered Friends

Sale price$21.82 Regular price$24.25
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Description

solong tent Soulo 1 Person Tent – Feathered Friends***Many out of stock Hilleberg items can be special ordered with a quick turnaround. Please contact us at customerservice@featheredfriends. com or call 206 292 2210 to inquire*** 1 person tent Strong, remarkably light, expedition ready solo tent. The Red Label Soulo offers an impressive balance of exceptional all season strength and light weight. Fully freestanding with a single integrated vestibule, the Soulo is easy to pitch, remarkably roomy and

***Many out of stock Hilleberg items can be special ordered with a quick turnaround. Please contact us at [email protected] or call 206-292-2210 to inquire***

1 person tent

Strong, remarkably light, expedition ready solo tent.

The Red Label Soulo offers an impressive balance of exceptional all-season strength and light weight. Fully freestanding with a single integrated vestibule, the Soulo is easy to pitch, remarkably roomy and highly versatile. It has the 9 mm poles and Kerlon 1200 outer tent fabric of all Red Label models, and its multiple pole-crossing construction and its purpose-built guy line placement and attachment points will easily handle demanding winter and high wind conditions. Easily strong enough for exposed mountain use, be that mountaineering, ski touring or ski mountaineering, it is also well-suited for all-around backpacking trips of any length and in any season, or anytime harsh weather is the norm. With its fully freestanding structure and compact footprint, the Soulo excels at tough pitching conditions, from ridgeline use in big mountains to rugged backpacking trips to paddling rocky coastlines to camping in urban or campground sites on bicycle or motorcycle trips. Choose the Soulo if you want a tent that offers impressively robust function in a lighter package and is capable enough to take on any of your adventures in any season.

Soulo means “island,” in Sami, the language of the people indigenous to northern Scandinavia.

Details

  • Kerlon 1200 outer tent fabric and 9 mm poles make for a very lightweight yet very stable tent. 
  • All-season construction: outer tent walls extend to the ground and mesh areas are backed with adjustable fabric panels. 
  • Dome construction with multiple pole crossing points provide outstanding snow-load handling capability.
  • The Soulo has plenty of room for one occupant and his or her gear.
  • Linked but separable inner and outer tent for simultaneous pitching.
  • Fully freestanding dome design requires no pegs for pitching, and the straightforward short sleeve and clip pole system make for quick, easy set up.
  • The single entrance/single vestibule configuration affords easy access as well as storage space.
  • An optional footprint covers the entire area of the outer tent, including the vestibule. It connects directly to the tent, and can be left attached during pitching.
  • The inner tent can be replaced with the Soulo/Soulo BL Mesh Inner tent.
  • The outer and inner tents can be used separately. Pitching the inner tent alone requires the optional Soulo/Soulo BL pitching kit.
  • Dual guy lines on each pole, with the upper attachment loop designed to wrap around the pole, increase stability in poor conditions.
  • Adjustable roof vent can be closed with a snow-proof panel, and is accessible from inside the tent.
  • Separate vent cover protects open vent from snow and rain.
  • Flap protects zipper from the rain.
  • High bathtub floor keeps out ground water.
  • Integrated stowage pocket.
  • Full no-see-um mesh on inner tent door is covered by a zipper adjust-able, fabric panel for all-season comfort.
  • Vestibule is integrated into the construction, resulting in a fully freestanding tent.
  • Highly recommended optional footprint can be found by clicking here: Soulo Footprint

Specs

Minimum Weight
2.0 kg / 4 lbs 7 oz
Packed Weight 2.4 kg / 5 lbs 5 oz
Inner Height 95 cm / 37 in
Inner Tent Area 1.9 m² / 20.5 ft²
Vestibule Area 0.6 m² / 6.4 ft²
Outer tent fabric Kerlon 1200
Poles (9mm) 2 x 344 cm, 1 x 285 cm / 2 x 135.4 in, 1 x 112.2 in
Pegs 12 V-Pegs
Packed size* 43 cm x 17 cm / 17 in x 6.5 in

 

(Every Hilleberg tent comes with outer tent, inner tent, guy lines with line runners, poles, pegs, stuff bags for tent, poles and pegs, spare pole section, repair sleeve and instructions.

“Minimum Weight” refers to the outer and inner tents and the poles only. “Packed Weight” includes all items that come with the tent.

* “Packed size” is measured with the poles and pegs, both in their bags, rolled into the tent inside the tent bag. Packing the tent and poles (both in their respective bags) into your pack separately will yield a significantly smaller tent package, and a pole package that can be easily slid into a corner of your pack. Poles all fold to 43 cm/17 in.

All product features and measurement values, including tent weight and pole length, may vary somewhat from what is shown in catalogs, other printed items, and on our web site. Such differences can occur because of alterations in the design and production process and/or natural variations in the materials. Fabric dyes have natural variations, so the actual tent color may look slightly different from what is pictured here or on different websites.)

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 4184465956

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4.3 ★★★★★
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Doctor Moss
San Leandro, US
★★★★★ 5
Just for Fun
You can't help, in reading these stories, remarking on how comics (and popular culture in general) reflect what we want on our minds and how we want to feel about ourselves. Superman today is intense. He fights apocalyptic battles, and he sometimes loses! There's a lot at stake -- everything, EVERYTHING, lies in the balance. Superman himself seems literaly beyond human. In order to live the life of challenges he faces, he must be beyond the concerns of everyday life -- he can't really share in the life that the rest of us live. Superman in the fifties lived in a much more comfortable, stable world, and his own life was much more continuous with ours. In these stories, he discovers that he is not alone -- his long last pal, Krypto, shows up, and he discovers his cousin, Supergirl. He has girlfriends -- Lana Lang and Lois Lane compete for his attention (without a lot of the psychological anxiety that Superman will face in the future over his inability to live a normal life and raise a normal family). The villains, like Lex Luthor, aren't even purely evil -- they have their limits. Bizarro is not evil at all, just . . . dumb and amusing so long as Superman can repair any damage he does. It's a little bit trivial to point out how comics reflect cultural reality, but . . . they do. It's fun to revisit the fifties here -- i suspect it's not so much an innocent age as one in which the story we told ourselves about ourselves (as in our Superman comics) was focused where we wanted it to be focused -- family, friends, the pleasures of everyday life. But, putting aside all the sociology and pretenses of cultural history, these stories are just fun to read. It's not the Superman we know now, it's just different, a change of pace, fun.
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Reviewed in the United States on September 28, 2013
F
Verified Purchase
Francis Neal Cornett Jr
Grantham, US
★★★★★ 5
Fun Times
Format: Kindle
Best Collection from my youth. Although I was not born until 1957, my dad's first cousin was an avid DC Comics collector, and these 1950s stories were the bulk of my experience of Superman during my 1960s childhood. Contrast the fight against fellow survivors of Krypton in this volume with that in Man of Steel. Here are the primary colors, can-do spirit, and ultimately optimistic view of science and the future so fondly remembered by older fans. In the end, there is probably no reconciling the angry countercultural gloom and discontent of modern comics with these gems of the past, but if as I you are sick to death of the politically correct socialism, these are a much needed breath of fresh air.
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Reviewed in the United States on May 30, 2021
W
Verified Purchase
william mont
Grantham, US
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
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Reviewed in the United States on August 16, 2021
T
Verified Purchase
Troy A. Garcia
Alexandria, US
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
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Reviewed in the United States on November 5, 2021
R
Verified Purchase
Ryan of the East Coast
Phoenix, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019

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